Candy Hunt
Zeroes and heroes
Anuradha Malalasekara
Heroism is a multi faceted concept. While watching 'Air Force One'
for second time, I was thinking how heroes are made. Hero for me is not
necessary a hero for you. Your educational and social background
essentially contributes to build a heroic figure in your mind. Sometimes
your political philosophy forces you to worship someone as a hero.
But, there are some heroes that everybody thinks they are really
brave and powerful and they are called 'superheroes'. Those 'genuine'
heroes have changed the way the world think.
A superhero is a person who is dedicated in order to protect the
public from harm. They usually have a secret identity so the public
cannot guess who they are, but whilst saving people from harm, they
usually wear a costume and mask and have a signature trademark (such as
a bat for Batman).
A superhero's costume automatically makes them more recognisable to
the reader, and often the costumes are a specific colour set to make
them more iconic. They also normally wear masks, a symbol to make them
more distinguishable, pants over their tights and a cape.
Interestingly enough, although capes are often associated with
superheroes, very few actually wear. As both Batman and Superman wear
them, they were the most popular of the superheroes and as a result, the
cape quickly became associated with superheroes.
The superhero's mission is pro - social and selfless, which means
that his fight against evil must fit in with the existing, professed
mores of society and must not be intended to benefit or further his own
agenda.
The mission convention is essential to the superhero genre because
someone who does not act selflessly to aid others in times of need is
not heroic and therefore not a hero. But it is not unique to the genre.
Superman's mission is to be a champion of the oppressed...sworn to
devote his existence to helping those in need, i.e. to "benefit mankind"
Regarding the powers convention, Batman was originally designed as a
superhero without superpowers. His mission of vengeance against
criminals is clear, and his identity-represented by his codename and
iconic costume marks him as a superhero. While he has no distinctly
"super" powers, his physical strength and mental abilities allow him to
fight crime alongside his more powerful brethren.
The Hulk can be said to be a superhero without a mission. At times he
seems absolutely anti-social, and he frequently finds himself in
conflict with the U.S. Army, which in the Silver Age was not presented
as corrupt or malign but with the welfare of citizens as its motivating
force. Stan Lee claims the Frankenstein monster as an inspiration for
the Hulk, "He never wanted to hurt anyone; he merely groped his tortuous
way though a second life trying to defend himself, trying to come to
terms with those who sought to destroy him"
In myth the hero is "superior in kind both to other men and to the
environment" and is a divine being. In romance, the hero is superior in
degree to other men and to his environment but is identified as a human
being, and moves in a world in which the ordinary laws of nature are
slightly suspended.
Thought of in this way, heroes who are super-all those characters who
are referred to as super heroes but do not fit the generic definition of
the superhero presented herein-are romance heroes.
Referring to these characters as romance heroes, though, given the
contemporary use of romance-stories of couples whose love relationship
develops to overcome all obstacles-would be confusing; instead it makes
sense to refer to them as super heroes.
Anyway we all love to be a hero at any circumstance.
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