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The World of Arts

Whistler: Prince among men -Part II

Gwen Herat

All the luxuries Whistler's father provided came to an end when he died in 1849 very suddenly and Whistler's affluent lifestyle faded away. With his studies put on hold, Whistler enrolled at West Point to commence military career bowing to his mother's wishes. But the young Whistler didn't abandon his studies as be embarked on an artistic career, after leaving West Point.

He made a number of emotional drawings after his wife died of a prolonged illness, in 1896. It was during this time that Whistler lost his cool and often quarrelled with his associates and friends, some resulting in litigation. But Whistler's last years were weighed with official honours from the Continent but he was sad and dejected that this paintings failed to be recognised at any institution in the United Kingdom, especially with the Glasgow City Art Gallery. The final decade of his life was miserable with a growing sense of isolation. He died a sad man on July 17, 1905 and was buried beside his wife in Chiswick Cemetery.


The Artiste’s Mother popularly known as Whistler’s Mother

His Distinctive Art Whistler was one artist who paid minute attention in colour combinations, mostly sombre and pale. Then suddenly, they lit up in glorious arabesque colours. But these two ideals were never mixed nor done to compliment each other. His limitation was his asset.

His paintings are characterised by clear defined, strong light source and stylistic features. He was fascinated with the morning light when he could paint patterns and animate shadows rather than being monochromatic. He found it easy to use white as the dominant colour in 'morning' pictures. Whistler refused to exploit the potentially sentimental qualities of his favourite subject..... beautiful women. He garbed them in white most of the time and it became his signature. He was great and smart at 'visual music' when he painted symphonies when musicians were playing them live. He modulated notes with the brush and expected us to find musical strains in them.

Was he eccentric or was he genius?

Whistler achieved convincing evocation of beauty and stillness with apparent ease when he took the palate outdoors. The serene sceneries glimmered mysteriously as he put them on canvas. To him, the sea had a rich creamy white at her waves that dashed on the golden sand. Like music notations, rhythm and colour burst out at centrepoint as his brush swept across the canvas. Sometimes, he would pick his brush and start painting an object that was not in his mind and slowly watch it taking a fluid turn into being a masterpiece. Then, he would take few steps and gaze and gaze long enough to give it a name. He marvelled the critics and the art world.

So, was he eccentric or a genius?

He was successful in portraiture and often produced visual documentations of psychological insight. He certainly displayed an artistic power of a creator of exquisite balance. With his unifying effect in composition, he always strove to create an aura in harmony. Whistler's ability to use colour descriptively in rapid gestural movements minimised the brush strokes. He was able to impart a final image of freshness to his selected paintings. His painting innovation was dictated from within his spirit and in the courage of the artist in breaking new ground.

Whistler was an avant-garde artist and had he lived longer than his short life, he would have blazed the 19th century as no other artist did.

So, was he eccentric or genius?

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