Love the underlying theme in European films
K.S. Sivakumaran
The European Cinema is till alive in spite of the dominance of
Hollywood making inroads into the nascent film industry in such
countries like France, Germany, Italy, the Netherlands, Norway, UK,
Sweden, Belgium, and Slovakia . An array of films from the European
continent was shown at the recently concluded European Film festival in
Colombo.
‘Twin Sisters’ |
One would have liked to see East European films from Poland, Hungary
and Russia, Czechoslovakia, Spain, Portugal and Greece in particular.
Nevertheless Lankan audiences who have a developed understanding of what
a good or aesthetic cinema is would have
enjoyed seeing some of the films shown. Not all the films were of
artistic presentation and a few were a combo of documentary and feature
film making. What I would call ‘docu-films’ are the films by - the
well-known French filmmaker Agne’s Varda (The Gleaners and I), the
Belgian Joachim Lafosse (What makes you Happy), the Frenchman Phillipe
Ramos ( Captain Acheb- a film version of Hermann Melville’s Moby Dick),
and Britain’s Kim Longinotto and Florence Ayisi (Sisters in law). They
were interesting in presenting social issues but were lacking in
continuity as a proper feature film with which we are familiar.
The film ‘What Makes You Happy’ for instance is a depiction of an
agonizing film director in making a film. It is a peep into the making
of a film. Gathering of waste material and productively using it is what
the director underpins in the film ‘The Gleaners and I.’ Set in Cameroon
‘Sisters in Law’ makes you feel nauseating when you see the condition of
illiterate and uneducated people molested and ill treated by equally
ignorant people who wouldn’t know what is legal and what is not. I
thought the film ‘Captain
Acheb’ could have been imaginatively recreated even though the
cinematography was stunning.
Fatih Akin’s film ‘The Edge of Heaven’ set in Istanbul with émigré
characters is a human interest film which I enjoyed for its script and
clever craftsmanship in film making. One switches from the setting in
Germany to Turkey which was fascinating.
Yet another enjoyable film set in Germany and Japan was ‘Cherry
Blossoms’. The film had many ironies and surprises. Director was Doris
Dorrie.
I also loved to see Silvio Soldini’s film ‘Agata and the Storm’. The
actress Licia Maglietta was a classic Italian beauty to watch as she
also played her role very well.
Ben Sombogart’s Dutch film ‘Twin Sisters’ is a moving film set during
the World War II. Here too ironies are plenty and the sufferings of
ordinary Germans during the Nazi regime. Juxtaposition of simultaneous
happenings in Germany and Netherlands is noticeable. The sophistication
of the bourgeois in the 1940s in Netherlands and the dire rural setting
in Germany were counterpoints. I liked this film too.
Finally the most enjoyable film was the Swedish film ‘The Guy in the
grave Next door’ directed by Kjell Sundvali. It was amusing and
entertaining plus a depiction of ever changing human relationship.
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