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Our readership needs modern thinking - Dr. Nirmal Ranjith Dewasiri

It is said that reading maketh a full man. During the early days of the post-colonization era, most of our people were intense readers. We have been brought up in the experience of elders who used to buy a book from their monthly salary.

However, nowadays, with the expansion of the Internet, television and many other mass media communication modes in society, the reading habit is fast diminishing. Though there is huge participation at the Colombo International Book Exhibition, many publishers are complaining that their sales are decreasing.

What are the true factors behind this story? Dr. Nirmal Ranjith Dewasiri, a member of judge panels of Godage Literary Award Festival shared his thoughts with Daily News Artscope.


Dr. Nirmal Ranjith Dewasiri. Picture by Sudam Gunasinghe

How do you capture the change and the continuation of Sri Lankan literature during the past two decades?

There were many cultural transformations in the post-colonial period in our country, which had a direct impact on social, cultural, economical and political elements of society. In the 1940s the major cultural figures such as Martin Wickramasinghe, Ediriweera Sarachchandra, G. B. Senanayake, K. Jayatilake, Gunadasa Amarasekara, and Siri Gunasighe can be compared with the other recognized literary figures in the world. They represented and created a mature cultural dialogue. They were well aware of the global literature and cultural elements. The next generation started from Simon Nawagattegama, and they continued the work of the 40s. Now we experience a situation where you don't see many cultural or literary figures in our society.

The current generation has a better access to international literature compared to previous generations, and also many literary masterpieces have been translated to Sinhala. Knowledge has now become democratized.

It has disadvantages too. Since most of the literary figures who were in previous generations were bilingual and their primary and secondary education were in English, so that they got the privilege to read and write in English. Unlike today, there were quite a few translated literature books in the country. Our present generation, active in serious cultural work, are monolingual in their reading and writing. They haven't got a sufficient command in English.

I read more than 20 novels published last year for the Godage festival. I identified Sunethra Rajakarunanayake, Katharin Jayawardhana and Anula Wijeratna Manike as mature literary figures. Writing techniques, theme selections and their exposure to the global literature are fascinating and the maturity is reflected in their creations.

Even in that background we could see a decline in literary work and lack of utilizing global literature and knowledge among the literary personalities in our country.

The International Book Fair is now open. As usual we see masses crowding in thousands. Does this element really represent a good readership?

The book publishing industry is a thriving industry in the country. Many publishers and lots of books are being published every year. But it doesn't mean there is a booming literary trend in the country. There are plenty of opportunities for those who can write some stuff and get it published very easily. I don't think this is a good approach on the long run.

This exhibition is also a carnival where people find their missing social space to connect with society. There is a huge demand for stationery items and educational books such as CIMA, CIM, Management and Accounting.

Publishers such as Vidarshana, Visidunu and Wijesooriya grantha Kendraya are not in the mass market, but they have published many serious literary creations are also surviving in the industry since there is a crowd for this peripheral publishing agencies as well. The main reason I assume for the downturn in the reading habit in our society is the popularization of the Internet, cable TV and many other mass media.

Gunadasa Amaraekara in his Noseuna Kadapatha states that at the time Piyadasa Sirisena published his books he could sell more than 25,000 copies and today it is not possible to sell at least 1000 copies from the same book. I think this statement has missed many social and cultural changes in our society have been happened during the past two to three decades.

When Piyadasa Sirisena published his creations the writers were extremely limited and also the readership was completely different compared with today.

Today the reading public has many options and choices. The pioneer literary figures, I mentioned earlier, were popular because they were not only good writers but they had a vast philosophical thinking and they addressed the broader stream of spectators in the main stream. We can clearly observe today there is a major change in the cultural formation where the serious literature is eliminated from the mainstream and it has been replaced by immature creations.

Though there are many intellectuals more advanced in literary knowledge, they don't have an audience among the general public. Their audience is mostly foreign universities and the English speaking crowd in our country. There is a diversification. It is essential to consider this diversification to find the reasons for the decline of literature in our country.

Compared with other third world countries we have a standard educational system. That credit should go to the leftist movements and the post colonial ruling class. The roots of this process have been absorbed to the global labour market.

Rather than a decline in the reading public, we see certain changes in reading and writing cultures.

What is your opinion on the current trends of our literature?

Writers such as Manjula Wediwardana, Sunethra Rajakarunanayake, Liyanage Amarakeerthi and Piyal Kariyawasam are introducing a kind of new trends in their creations. They are quite innovative in both approach and professional standards. They represent different social and cultural societies and they try to capture new features of socio relationships in the society.

The Sri Lankan literature has been developing for the past 60 to 70 years and is mainly centred on rural literature. The cultural shock and the identity crisis which they had once they migrated from villages to urban areas were mainly reflected in these creations. This prevailing situation is continuing as it is and also several elements have been added which makes it more complicated than before. The serious literature and new trends are being created today under these highly pressurized conditions. I would like to see these people continue writing.

As a member of the panel in the Godage Literary Festival, what is your opinion about the standard and the quality of the selection process?

This is the second time I was in the literary committee of the Godage Literary Festival. Among all the literary festivals I would say so far the best literary festival has been organized by the Vibhavi Academy in the 1990s which is called the Independent Literary Festival.

They followed a superior criteria and had the assistance of highly matured intellectuals. I agree with the quality of the Godage Literary festival and other literary festivals in the country to a certain extend. They allow us the freedom to select and express our own views to explain the specialty we found in a particular book. But I am not quite happy about the standard of the panel members. I don't think most of them can understand the current trends and methods of literature. That is the major loophole I found in many panels. The other problem is that we don't have a good tradition of literary criticism.

We had that kind of a controversial literary criticism in the early 1980s, but they had their own limitations too.

Therefore, the need for a change in thinking patterns of the intellectuals and as well as readers is evident in this context.

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