Buddhist Spectrum
Buddhism in India
KAMALIKA Pieris
Siddhartha Gotama came from the republican tribe of the Sakyas living
in the Himalayan foothills. He was born around 566 BC. His father
Suddhodana was the chief of the tribe. North India had a number of such
small republics. According to legend they were founded by persons of
royal lineage who had left their homeland. These republics practised
corporate government with face to face discussions. They permitted
independent opinion and were ready to tolerate unorthodox views.
The Ganges plains also had several royal kingdoms such as Kosala and
Magadha (south Bihar). These kingdoms were strong on trade and commerce.
They also had a deep interest in religion and philosophy. Thapar notes
that 'the richness and vigour in thought of this period was rarely
surpassed in the centuries to come'. There were many atheistic sects.
Buddhism originated in this fertile climate. The Buddhist monastic order
was modelled on republican assemblies. There were fortnightly meetings
and public confessions. Women were admitted into the monastic order, a
'revolutionary' event.
Magadha
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A stone
statue in India |
The Buddha preached at Magadha, Kosala and the lands north of the
Ganges. He preached in Magadhi dialect. His audiences were receptive.
Kings were interested and he was received in capital cities such as
Rajagaha, Sravasti and Varanasi (Banaras). King Pasenadi, king of Kosala,
supported the Buddhist order and had frequent discussions with the
Buddha. Bimbisara, king of Magadha converted to Buddhism. Bimbisara was
a resolute and energetic king who gave his kingdom a modern
administration. The Buddha also had powerful followers among the
mercantile community. Anathapindika, a rich merchant, invited the Buddha
to Sravasti, after hearing him preach at Rajagaha. Anathapindika became
a lay follower. Buddhism was accepted by the rich as well as the poor.
The Buddha often accepted invitations to the houses of the rich for the
midday meal. Food and other requisites were also gifted by the poor.
Intellectual movement
Buddhism became a strong social and intellectual movement in north
India. Thapar says that King Dharmasoka (269-232 BC) had to 'come to
terms with it' and that is why he supported Buddhism. Buddhism also
spread across India into the west and south. The temples at Ellora in
western India date from the first and second centuries BC . The huge
Satavahana Empire (50BC- 250 AD) which included Maharashtra, Malwa and
present Madhya Pradesh supported Buddhism. In south India Buddhism was
closely associated with traders and other urban groups. Buddhism lasted
longest at Andhra. In the 3rd
century AD, under Ikshvaku rule almost all the royal ladies in the
Krishna-Guntur region were Buddhist.
Buddhism influenced many things in India. Basham says it was only in
the time of the Buddha that Magadha, under King Bimbisara (542-490BC)
initiated the first great Indian empire. The whole Ganges basin was
under Magadha in the 4th century BC. The capital was Pataliputra (Patna).
Buddhism encouraged thought and reason. In the Gupta period there were
lively philosophical debates between the Buddhist and the Brahmans. The
Buddhist debaters prided themselves on their advanced knowledge and use
of logic. Buddhist monastic education included grammar and medicine. The
approach was
generally less orthodox than those of the Brahmans. Nalanda became a
great seat of learning catering to the needs of thousands of students
from many parts of the contemporary Buddhist world.
Women acquired status through Buddhism. In the Satavahana Empire,
women were prominent in social life and held property in their own
right. In sculptures they are shown worshipping Buddhist emblems, taking
part in assemblies and entertaining guests alongside of their husbands.
Buddhism also influenced the arts. The Buddha image and the hill side
cave temples such as Ajanta are considered the highest achievements in
Indian art and architecture of the time.
Central Asia
Indian Buddhists took Buddhism to Central Asia. Kumarajiva, the
Buddhist philosopher, lived at Kucha. Well endowed Buddhist monasteries
came up in the oases and trade centres of Central Asia. There were over
4000 Buddhist establishments in Khotan until about the 8th century AD.
From Central Asia Buddhism went eastwards and westwards. From Khotan
Buddhism went to Afghanistan and Turkestan. From Kucha, Buddhism went to
Burma, China, Tibet, Japan and Korea. Indian Buddhists went in large
numbers to preach in China. Thapar says that it was Indian Buddhism that
introduced Indian culture to various parts of Asia.
However, over time, Buddhism became a threat to the faith based
religions which were gaining momentum in India. The Bhakthi movement,
consisting of the devotional cults of Tamil saints, became popular in
south India in the 6th and 7th centuries. According to Thapar, these
devotional cults were influenced by Buddhism. With the rise of the
Bhakthi movement, the Hindus in south India objected to Buddhism. The
Hindu religious leader Kumarila (8th century) frequently attacked
Buddhism in his works. He did much to discredit Buddhism.
Ascetic order
The reformer Sankara (9th century) regarded Buddhism as Hinduism's
chief enemy. But the philosophy and organization used by him closely
resembled Buddhism. He reorganized the ascetic order, modelling it on
the Buddhist order. His philosophy showed Mahayana influence. Buddhists
were indignant at a movement intended to destroy them by their own
methods. The Bhakthi movement helped to displace Buddhism and enthrone
Hinduism. Yuan Chwang, who visited south India in 642 AD when the Hindu
revival was gathering momentum, said that Buddhism was on the decline.
South India eventually became a Hindu region.
In north India Buddhism was replaced by Islam. Islam's largest
following in India came from the Buddhist areas of north India. The
Turks and Afghans who invaded in the 12th and 13th centuries made it a
point to eliminate Buddhism. They systematically demolished Buddhist
temples and universities. The devastation was heaviest in Bengal-Bihar
region which had a large concentration of major Buddhist centres.
Vikramasila and Uddandapura were completely destroyed. Nalanda was badly
damaged with only 100 monks left. Buddhagaya survived due to the
dedication of the 300 Sinhala monks who continued to stay there and look
after the temple while Buddhism was fast disappearing in northern India.
Special thanks to A L Basham, P V B. Karunatilake, T Ling, K A
Nilakanta Sastri, S Paranavitana and R Thapar.
Kamada's Lament
An excerpt
Andrew OLENDZKI
This plaintive cry of the deva Kamada, concerning the difficulty of
Buddhist practice, will resonate with almost anyone who has embarked on
the temporary homelessness of a retreat. The steady reply of the Buddha
here admonishes Kamada to overcome his weaknesses and find the nobility
within himself to tread the noble path.
The tone of this poem is so typical of the approach the Buddha
displays throughout the Pali texts - compassionate yet firm, reasoned
but profoundly inspiring. The progression is also characteristic - from
virtue to joy, tranquility to diligent development, and finally cutting
through the snares of death and rebirth and proceeding to undying
Nibbana.
Kamada is reminded that others have done, gotten and tamed what he is
having such difficulty doing, getting and taming. Others have taken the
hard path to the goal, and all he lacks is the resolve, the hero's
determination, to forge ahead despite the obstacles.
The lyrical almost sing-song quality of the verse has been hopefully
retained by translating it in something like its original meter of eight
syllables per line.
Kamada:
So hard it is to do, Lord,
It's so very hard to do!
Buddha:
But still they do what's hard to do,
Who steady themselves with virtue.
For one pursuing homelessness,
Content arrives, and with it joy.
Kamada:
So hard it is to get, Lord,
This content of which you speak!
Buddha:
But still they get what's hard to get,
Who delight in a tranquil mind.
The mind of those, both day and night,
Delights in its development.
Kamada:
So hard it is to tame, Lord,
This mind of which you speak!
Buddha:
But still they tame what's hard to tame,
Who delight in senses at peace.
Cutting through mortality's net,
The nobles, Kamada, proceed.
Kamada:
So hard it is to go, Lord,
On this path that gets so rough!
Buddha:
Still nobles, Kamada, proceed
On paths both rough and hard to take.
Those who are less than noble fall
On their heads when the path gets rough.
But for nobles the path is smooth
- For nobles smooth out what is rough!
(Translated from the Pali)
ABHIDHAMMA IN A NUTSHELL - XXII:
Worshipping Buddha statues
Shamika SOYSA
I invite Buddhist scholars who are more knowledgeable in Buddhist
history and Buddhist culture to analyze worshipping Buddha statues in a
more cultural and
historic perspective.
In any Buddhist temple, organization, house or any other place,
Buddha Statues are present. There are many types of Buddha statues
created during the Buddhist history. They are a prominent aspect of
Buddhist culture and literature. What is the importance of a Buddha
statue for a Buddhist? Can a Buddhist get anything by worshipping a
Buddha statue?
A Buddhist who has taken Buddhism in right spirit does not expect
anything by worshipping it. A Buddha statue is a sign to symbolize the
Buddha and his infinite superior qualities such as loving-kindness,
compassion and wisdom. Enormous and famous Buddha statues are created by
highly skilled professional artists to depict the might of Buddha's
qualities. The mind of a person who worships Buddha statues gets filled
with a serene joy by adverting the qualities of the Buddha.
A Thought Process connected with Eye-door - Chakkudhwarika Chiththa
Vithi
Over last two episodes it was mentioned that there are 75 types of
Chiththa Vithis and there are 17 elements in an ordinary thought
process. This episode would illustrate a thought process which would
possible arise when a Buddhist worships a Buddha statue.
In the above scenario there are thousands of Chiththas and Chiththa
Vithis pass by in one's mind. It may start by a thought process
connected by ear-door when the person hears about the Buddha statue.
When the person sees, it would be a thought process connected with
eye-door. When he worships, it would be a thought process connected with
body-door and so on.
Here, the thought process passes when the person sees the Buddha
statues would be described. Since it is connected with eye-door, it is
named as Chakkhudhwarika Chiththa Vithi.
1. Bhavanga Chiththa
As explained in the previous episode Bhavanga Chiththa goes through
the cycle of -uppadha-ththi-bhanga until a sensual faculty receives an
object.
2. Bhavanga Chalana
Now the person sees the Buddha statues and Bhavanga Chiththavibrates.
3. Bhavanga Upachchedha
Bhavangha Chiththa ceases leaving the next Chiththa to arise. This
state of Bhavangha is called Bhavangha Upachchedha.
4. Upekkha sahagatha Panchadhwaravajjana Chiththa
(Five sense-door adverting consciousness accompanied by indifference)
Then mind turns toward the Buddha statue. It examines from which
sense door it has entered.
5. Upekkha sahagatha Chakkhu Vinnanaya
(Eye-consciousness accompanies by indifference)
Now it has been identified that the objects has entered from
eye-door.
6. Upekkha sahagatha Sampatijjana Chiththa
(Receiving-consciousness accompanied by indifference)
This is the reception of the object of Buddha statue entered from the
eye-door.
7. Somanassa sahagatha Santhirana Chiththa
(Investigating consciousness accompanied by pleasure)
This is the examination of the object of the Buddha statue entered
from the eye-door. The object entered brings wholesome thoughts as it is
a sign to symbolize the qualities of Buddha. Therefore it is a Kusala
Vipaka Chiththa (Moral resultant consciousness) and Santhirana Chiththa
becomes pleasurable.
8. Upekkha sagahatha Manodhwaravajjana Chiththa - Voththapana
(Mind-door adverting consciousness accompanied by indifference)
Now that the object is received, identified and examined. This
Chiththa determines the object with respect to the knowledge contained
in mind. Mind-door is basically the sixth sense and was identified as
the 'Memory' of a person in the fifth episode. This Chiththa gathers all
thoughts and memories related to Buddha statue making the background to
arise Javana Chiththas.
9. 15. Javana Chiththas -> Somnassa sahagatha Nana samprayuktha
Asankharika Chiththa
(Impulsion - Consciousness accompanied by pleasure associated with
knowledge and unprompted)
The next seven thought moments are actually the ones which perform
Kamma. At this moment the person goes through the moral roots of Alobha,
Adwesha and Amoha. Akusala Chiththa arises to cause a Kusala Kamma.
He gets a pleasurable feeling at this moment (Somanassa sahagatha).
This person knows what the Buddha statue means. Therefore he has the
right view (Nana samprayuktha). If no one has directed him for the
action consciousness arises unprompted (Asankharika). Therefore the
possible consciousness arising would be Somanassa Sahagatha Nana
samprayuktha Asankharika Chiththa. This Chiththa usually goes through
seven thought moments in a roll.
Cause of Kamma
Out of seven Javana thought moments the first is the weakest as it is
the beginning of Javana moments and lacks previous sustaining source.
Therefore this causes Dhittadhammavedhaniya Kamma which results in
this Bhava itself. If it does not operate it becomes ineffective, that
is Ahosi Kamma. The last Javana thought moment is the second weakest as
it's sustaining power has been spent.
Therefore the resultants would be in the next Bhava causing
Upapajjavedhaniya Kamma. Five Javana thought moments in the middle are
strongest which has more sustaining power so that they cause
Aparapariyavedhaniya Kamma.
Effect of worshipping Buddha statues
When worshipping Buddha statues one goes through moral roots of
Alobha, Adwesha and Amoha. Skillfully and Confidently (Sadhdha) created
Buddha statue helps the Buddhist generate meritorious thoughts and cause
Kusala Kamma.
This would not be the case if one is pleading for something by
worshipping. Pleading involves Lobha so that instead of Kusala Kamma,
Akusala Kamma is caused by worshipping Buddha statues expecting some
personal gain.
This episode has illustrated Thought Processes in Abhidhamma while
providing an Abhidhammic perception on worshipping Buddha statues.
The next episode would review 'What is Mind' for the third time.
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The Song of Meditation
(A favourite piece from Hakuin's Song of Meditation)
All beings are from the very beginning Buddhas.
It is like water and ice:
Apart from water, no ice,
Outside living beings, no Buddhas.
Not knowing it is near, they seek it afar.
What a pity!
It is like one in the water who cries out with thirst;
It is like the child of a rich house who has strayed
among the poor.
The cause of our circling through the six worlds
Is that we are on the dark paths of ignorance.
Dark path upon dark path treading,
When shall we escape from birth-and-death?
The Zen meditation of the Mahayana
Is beyond all our praise.
Giving and morality and the other perfections,
Taking of the Name, repentance, discipline,
And the many other right actions,
All come back to the practice of meditation.
By the merit of a single sitting
He destroys innumerable accumulated sins.
How should there be wrong paths for him?
The Pure Land paradise is not far.
When in reverence this truth is heard even once,
He who praises it and gladly embraces it has
merit without end
How much more he who turns within
And confirms directly his own nature,
That his own nature is no-nature-
Such has transcended vain words.
The gate opens, and cause and effect are one.
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