Ravi Shankar: ‘The Godfather of World Music’
Ravi Shankar, who died on Wednesday aged 92, was the world’s most
famous sitar player, who popularised classical Indian music abroad
largely through his work with The Beatles’ George Harrison.
His extraordinary musical journey took him from the banks of the
sacred River Ganges in British India to the legendary Monterey and
Woodstock festivals, where he played alongside the likes of Janis Joplin
and Jimi Hendrix.
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In this photograph taken on February
25, 2004, Indian classical musician Ravi Shankar (L) and his
daughter Anoushka Shankar play sittars as they perform at a
function to pay tribute to Beatle George Harrison on the
anniversary of his birthday in New Delhi. Indian sitar
musician Ravi Shankar has died at the age of 92. AFP |
At the height of his fame in the 1960s, when he was the darling of
the hippie movement, he was described as ‘the most famous Indian
musician on the planet’ and his influence on pop music continues through
his daughter, American singer Norah Jones.
Shankar taught Harrison to play the sitar and collaborated with him
on several projects, including the groundbreaking charity Concert for
Bangladesh in 1971. The Beatles called him ‘The Godfather of World
Music’.
Another collaborator, the violinist Yehudi Menuhin, compared his
genius and humanity to Mozart.
Ravi Shankar was born into a high-caste Bengali family in the Hindu
holy city of Varanasi in Northern India on April 7, 1920.
He began his career at a young age, touring Europe with his brother
Uday’s dance troupe but returned to India in the late 1930s to study the
sitar under the renowned musician Allaudin Khan.
Shankar first married Khan’s daughter, Annapurna Devi, in 1941 and
they had a son, Shubendhra. The couple later separated and Shubendhra,
who also played the sitar, died in 1992.
Shankar’s affair with a New York concert producer Sue Jones led to
the birth in 1979 of Norah Jones, who has won nine Grammys with her
blend of pop and jazz music.
He had a third child, Anoushka Shankar, with his second wife Sukanya
Rajan. Anoushka became an accomplished sitar player in her own right and
toured with her father.
Shankar started to attract the attention of musicians outside India
after being introduced to violinist Menuhin in the early 1950s, leading
to tours of Europe and the United States, as well as his first long-play
album, ‘Three Ragas’.
Among the major names in contemporary music influenced by him were
The Byrds, whose 1965 track ‘Eight Miles High’ bears the hallmark of
Shankar’s mesmeric sitar playing.
In the same year, Harrison, used a sitar he had bought on a whim on
the song ‘Norwegian Wood’.
Harrison met Shankar in London in 1966 and later travelled to India,
where the maestro taught him how to play the plucked instrument.
Awards and collaborations with other top artists followed Shankar
wherever he went. He composed three sitar concertos and worked with top
conductors like Andre Previn and Zubin Mehta and the composer Philip
Glass.
The first of his three Grammy awards came in 1967 for his
collaborative album with Menuhin, ‘West Meets East’. The second in 1972
was for his Concert for Bangladesh album while the third in 2001 was for
his ‘Full Circle’ concert at Carnegie Hall in New York. He was nominated
for an Oscar in 1982 for his work on the film ‘Gandhi’, was a recipient
of both India and France’s highest civilian honours and was awarded an
honourary knighthood in Britain as well as a string of honourary
degrees.
The Bangladesh concert at New York’s Madison Square Garden, organised
by Harrison, raised nearly $ 250,000 for UNICEF to help refugees of the
South Asian country’s freedom struggle and led to future benefit gigs
like Live Aid.
Shankar said the concert was one of the most memorable in his long
career given his close association with the people affected by the
strife.
Shankar, who also sat in the Indian upper house of Parliament and set
up a charitable foundation, once said that his greatest achievement was
in helping Western audiences to better understand Indian classical
music.
But he said Indian audiences did not always approve of his
association with Western rock stars and he was also not comfortable with
the fame it brought him.
“When I started working with George Harrison I became like a pop star
myself,” he told Britain’s The Guardian newspaper in a June 2011
interview. “Everywhere I went, I was recognised. I didn’t like that at
all”.
AFP
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