Bharatha Natyam in Sri Lanka
Subashini PATHMANATHAN
Silappathikaram of second century AD is the oldest text that provides
guidelines to conduct a dance arangetram. From the time of
Silappathikaram, arangetram takes place in the dance field.
Silappathikaram describes the dance arangetram of Mathavi, the dance
heroine of Silappathikaram.
It elaborately explains the stage decor, stage arrangements, how the
accompaniments should sit, the quality and nature of the accompaniments
in a dance arangetram. Besides it also provides instructions for a
dancer, how a dancer herself has to enter the stage.
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Elegance of
Bharatha Natyam |
Arangetram means, maiden performance of a young artiste to introduce
herself or himself to the art world as a budding artiste. Arangam means
stage, Aetram means entering the stage. Arangetram is also referred to
as Arangaperavesam. It also denotes the same meaning. In an arangetram
the dancers are supposed to perform the entire margam of the prescribed
Bharatha Natya repertoire. This Bharatha Natya repertoire was laid down
by the famed Tanjore quartette of 19th century.
Prestige show
Today in most of the Bharatha Natyam, arangetrams are generally
considered as a prestige show. Majority of the parents and teachers pay
more attention for the selection of the chief guest. Most of the parents
and teachers try to fill the auditorium. All these hired auditoriums are
built not specially for dance performances. These auditoriums are built
for numerous multipurpose prgrammes. Anyhow most of the parents and
teachers want to fill up the halls at any cost.
So they visit door to door and hand over the invitations. Further to
attract much more crowd, alien chief guests are often brought down from
outside the country to these shows. These alien chief guests are given
wide publicity in the local print media by projecting themselves as
outstanding dancers or outstanding silver screen stars. Actually these
artistes are not at all known much in their own native lands. Sri Lanka
is a land blessed with plenty of outstanding artistes of their own
excellence in their own selective fields. It is really regrettable to
see the ignorance of such organizers of these shows who take maximum
efforts and pain to bring down these special guests to the shows.
The teachers are Sri Lankans. The students are Sri Lankans who
studied their dancing career throughout in Sri Lanka. And the general
audiences to whom they need to fill up the halls are also Sri Lankans.
But the special or the main guest of these shows is often supposed to be
brought down from a neighboring country.
In one way it is a total insult for the local artistes of this land.
Normally they provide up and down air passage for these so called chief
guests. Accommodations for these chief guests are always arranged at
star class hotels. These special foreign guests are given due respect in
the shows. Normally the organizers of the dance shows consider arranging
foreigners as chief guests for their dance shows would add much more
prestige to their shows.
False allegations
In some arrangetrams, to maintain their colours, some teachers induce
or force the parents to bring down the accompaniments also from
neighboring country, by putting all sorts of false allegations against
the outstanding and long standing local supportive instrumental
artistes.
Ultimately the entire financial burden falls at the hands of the
parents. It is also necessary to point out that Sri Lankan resources
should be utilized and the Sri Lankan talents should be exploited
properly to enrich the local standards of the instrumental artistes at
least at the native soil.
Most teachers are longing for titles and awards. To satisfy them
sometimes the parents or sometimes even the teachers themselves make
elaborate arrangements to confer some titles upon them at the arangetram
functions. Sometimes, some individuals without any standing confer
titles upon the teachers. Even sometimes some of the registered or
unregistered organizations without any legal standing involve in the
process of conferring titles.
Even some of the organizations move further to award unrecognized
doctorates. Many of these dance teachers are using these unrecognized
titles publicly. Unfortunately in Sri Lanka so far, no proper legal
measures are taken to control or regulate this type of menace seriously.
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