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Focus on Books:

Along a winding path

The musician Rohana Weerasinghe is known by all for more than one reason. He is a melody maker of much fame. At the same time he had sung several songs. He is also a teacher of music at various levels. Among other things he is known to me as a capable organizer of much wanted get-togethers of artistes for a special cause. Rohana was instrumental in rallying round most artistes of the country to change the political situation clarifying the need for a better governance. Hence he shouldered the task of holding rallies around the country where he got his pals to explain the need for such a situation in and around 1994. I had the chance of meeting him personally on account of this. But may it be said that this does not mean that he was a political lackey of any sort.

Instead I felt that he was a socio-political thinker of a particular type who is so sensitive, and feels that a positive change was needed. On reading his book titled 'Along a winding path', - the work first written in Sinhala (Gaman Magak by Delicia Tillekeratne - first eidtion 2009 printed by Fast Printers, Colombo). The work is written in the form of a semi autobiography, intermixed with various memoirs of random jottings. Split into 33 small chapters which came in the form of episodes. Record the life story of a musician, it is a journey of ups and odwns along a rugged round.

Three stalwarts known to him and his creations have dealt on the subject of his creative skills by way of brief prefaces to the work. They are Amaradeva, D. B. Nihalsinghe and Somaratne Dissanayaka. They explain who Rohana is, and what he had contributed to the field of music television and film respectively. Sunil Ariyaratne, as usual, takes a synoptic view of Rohana's career writing a simple back piece. It looks as if the journey of Rohana had been a magical one. As a child as he explains he was a sort of a different child who shifts his interest from one to another, ultimately becoming interested in music as a Sitarist. Gradually he selected the smooth path, which he deems as the right path by entering into the much known college of Music in Colombo. But that too becomes not only a place of boredom and disgust.

He, with a group of others, at times protest the type of learning and teaching that they were administered to. What happens is a change in their destiny if I may use the term. But it is not sheer destiny that takes him to India. He becomes a full fledged young master of the subject under capable and seasoned music maestros. Then he returns to his homeland and faces many more episodes of struggle.

In several short episodes he depicts, by way of selecting particular events of how people behave temperamentally. He has experiences with such senior teachers as Amaradevea, Khemadasa, Lester James, Panibharatha, Makuloluwa to name a few. He remembers long lists of names with whom he associated at good and bad times, as well as sad and merry times. He recollects how he was utilized by others for their sake, and left high and dry. Then he recalls what he had learned, and how some people genuinely helped him at moments of despair.

Today Rahana Weerasinghe ranks as the foremost musician of the country, as a result of his sheer dedication. He implies that he had to work with his fellow mates, sometimes from midnight to the wee hours of the morning, especially during the sound recording sessions. It is observed that he had been a good record keeper as the appendices to the work shows. The number of activities he had been engaged are listed well. Perhaps this is one of the rarest task of a sensitive creative artiste. He tries his best to pay a tribute to his well wishers and friends. They include his friends, and others who fostered him to come up to this level of existence. All in all I felt that the work encircles the richness and the creative spirit of an individual who shares the human values of living. Being too good spirited he creator who may have purposely omitted his entry into the public sphere of likes and dislikes in the political structure. May it be so, but I felt that the undercurrent or the subtext of the work bears ample testimony to depict the same in an indirect manner.

Undoubtedly Rohana is not only a much sought after musician but also a soul in search of a better living standard in the country.

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