The V3 ColumnBookworm or
movie buff?
Shaz, RUWI and SACHI
It’s nearly 6 pm and V3 contemplate on signing off and heading to one
of our favourite hotspots. Ruwi puts the finishing touches on an article
for Artscope when Sachi sneaks up behind and makes a grab at the book
lying next to her.
“Shaa, look at the size of this book. It will take me ages to go
thorough this,” he exclaims holding up J.R.R. Tolkien’s ‘The Lord of the
Rings’ trilogy.
Shaz joins in: “Yeah, but I enjoyed the film first before reading the
book.”
Ruwi pauses a bit to listen to her mates before giving her opinion.
“Strangely it was actually the film that lured me to take up the
novel. How many films based on books have that effect on you? The
animation of the whole work is brilliant. I actually enjoyed the film
more than the book.”
Shaz agrees: “True, but my personal preference is books over movies.
A book gives you more flexibility and opportunity to recreate your own
sense of imagination, with more depth and freedom. Harry Potter is a
good example. I imagined the game Quiddich to be more magical and it was
quite different to what the filmmaker had sketched out.”
“Same here. There was something unrealistic when they portrayed the
dragons in ‘The Goblet of Fire’. The animation was a glaring contrast to
the real human figure of Daniel Radcliff and other actors in the scene.
A top director once related to me that digital technology in the film
does well only when the audience couldn’t guess where the graphics are
used.” Ruwi added.
Anxious to make an early retreat before someone spots V3 together and
piles them with more work, Sachi suggests continuing the conversation in
a more relaxed environment. So after a couple of ‘hold on a sec’s, ‘Shaz
is on the phone again’s, ‘Is Sachi still in the loo?’s and bidding a
hasty good bye to Mr G, V3 finally make it to the road.
“The books give an opportunity to imagine more than the film. If you
go ahead and watch the film without reading the book, you have many
things to lose. I would personally encourage people to read the book
before the film,” Shaz picks up the conversation.
“Film is what the director imagines. The reel limits your imagination
of what you have read. That’s why many films made out of books become
flops with novelists complaining that justice is not done to their
work,” Sachi adds.
Ruwi expresses her opinion: “I watched this American flick some time
ago and it was supposed to be based on a novel. My cousin read the book
and told me that though the characters are the same, the movie’s plot is
completely different. They have highlighted the romance while the book
emphasises treachery and betrayal.”
“Ron Howard did an exceptional job with ‘A Beautiful Mind’ but in
‘The Da Vinci Code’, the scene manipulation is not that appealing. Ditto
for ‘The English Patient’ as the frames are monotonous.
The book is a bit tedious too, but you could still enjoy the sentence
structures and skip a few monotonous pages. Both the novel and the film
of ‘Remains of the Day’ are equally superb. Books are very handy.
You can refer to it and clarify facts at times, but you can’t do the
same with a movie. You might end up clueless at some occasions unless
you watch a VHS or a DVD,” Sachi goes on while increasing his pace.
However he doesn’t hesitate to add: “There are a few Sinhala films
better than the novel. Tissa Abeysekara’s Viragaya came out well. Some
people have failed to achieve this aspect.”
“Directors should give a lot of thought before choosing the book.
Some filmmakers see award winning novels as easy-cash spinners. But
there is more to it than that, and ultimately the book will also be
tarnished if the film is not up to the standards,” Ruwi notes.
“And you should look at a book with a literary perception while a
film should be judged in the angle of a movie critic. This is the
downside with Sri Lankan critics because they don’t grade these two
categories with different perceptions. There is another issue. For
instance America doesn’t have well-grounded reading culture like the
British.
They will rather watch a movie for two or three hours. This was the
case with Oscar winner Slumdog Millionaire too. The Booker prize-winning
book was turned into a movie because people hardly had any time for the
book,” Shaz muses.
Sachi rams his hand into his bag and comes out with a huge volume and
a wide grin.
“Now this is one book I would like to see made into a film,” he
smirks as he traces his finger along the letters on the cover.
Shaz takes one look at Ken Follett’s ‘Pillars of the Earth’ and
giggles: “Ha, ha... I knew he would somehow bring that up at one point.
He is obsessed with that book. He is almost married to it!”
“Well, we have almost made it and looks like we have nothing to
discuss further,” Ruwi jokes, nudging Shaz indicating to the small cafe
at the end of the street.
“Ah, so with work done we can enjoy the evening with some snacks and
good books. Now that is my idea of heaven.” Sachi’s smile broadens as he
clutches his precious book to his chest.
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