The world of arts:
Pericles, the prince of Tyre
Gwen Herat
On and oft, Shakespeare borrows his plot from another. John Gower,
the medieval poet retells the story of Apollonius of Tyre from his play,
Confessio Amanti which he wrote in 1385. This impressed the Bard and was
the main source for Pericles.
Shakespeare wrote this play in 1607-8 and cited it in various
Mediterranian countries. Fairly a complexed plot, Shakespeare
disentangle it, as it reaches its climax.
'See where she comes, apparelled like the spring,
Graces her subjects, and her thoughts the king;
Of ev'ry virtue gives renown to man.
Her face the book of praises, where is read
Nothing but curious pleasures as from thence
Sorrow were ever razed and tasty wrath
Could never be her mild companion'...
Act. 1. scene 1.
‘See where she comes, apparelled like the spring’ (Pericles)
Act. 1. Scene 1. |
The riddle profounded by Antiochus, the King of Antioch is solved by
Pericles, to his daughter's suitors. Death is the penalty who fails to
solve it as no one has found the answer yet. The whole episode revolves
around the father who has had an incestuous affair with his daughter.
When Pericles reveals that he knows the answer, Antichus while being
suspicious, is hospitable. However, the young prince realises the
potential danger, escapes to Tyre. He invites Helicanus to govern in his
absence, and sets off for Tarsus to relive in this famine-striken city.
Still petsued by a minion of Antiochus, Pericles is put to see where
he is shipwrecked on the shores of Pentapolis. The King of this city is
celebrating a festival for this daughter's birthday. She is the
beautiful Thaisa. Pericles joins the party and end up being betrothed to
Thaisa. After a while, they decide to leave for Tyre where Pericles
hopes he will be safe from Antiochus.
They confront a great storm when Thaisa gives birth to a daughter,
Marina is thought to be dead and thrown overboard in a waterproof chest.
A letter is also enclosed in the chest. When it reaches the land in
Ephesus, the Lord Cerimon revives Thaisa. Beliveing to be the only
survivor, Thaisa becomes a priestess of Diana's Temple. Devastated by
the loss of Thaisa, Pericles returns to Tyre with the infant, Marina and
gives her over to Cleon, Governor of Tarus and his wife Dionyza for care
and safety.
Shakespeare moves into the second chapter of the play fourteen years
after the disappearance of Thaisa whom he believes to be dead.
Fourteen years later, Marina has grown up in Tarsus while Pericles is
in Tyre. Marina's beauty overshadows Dionyza's daughter and she becomes
jealous enough to get innocent Marina murdered. Around this time, Marina
is Kidnapped by pirates and they take her to a brothel in Mytilene.
Pericles vows that he will not wash his face nor cut his hair until he
finds Marina when Dionyza and Cleon inform him that Marina is dead.
Marina's purity shocks her employees in Myteline and startles the
Governor. The manager of the brothel, Lysmachus is a man of repentance
and sets to find honest work.
Pericles is utterly dejected and while roaming, chances to visit the
city. Lysimachus in desperation, sends for Marina to comfort the
stranger. A little later in his anchored ship, Pericles realises that
this girl is his daughter. When he slept that night, Diana appears to
him in a dream asking him to go to her temple at Ephesus, where he
relates his tale to the high priestess. She happens to be Thaisa and all
his grief are over.
In the meantime, the united family is overjoyed at the prospect of
Lysimachus being betrothed to Marina. Pericles commissions them to rule
Tyre while he and Thaisa spend the rest of their lives in Pentapolis.
Chief character is one of the enchanting lost girls.
Marina: One of the enchanting lost girls of Shakespeare's final
period, Marina is the daughter of Pericles. She moves with speed
throughout the play and should not be doubles with her mother, Thaisa.
Her innocence keeps her out of danger at the brothel where Lysimachus
guards over her. Pericles, Prince of Tyre. He is the wanderer who walks
through many hazard. Antiochus King of Antich whose evil riddle is
solved by Pericles (his affairs with his daughter) because of which he
prevents her suitors seeking her hand.
Lycimachus The Governor of Mytilene who rescues Marina from the
brothel. In Performance Shakespeare remembers some aspects of Apollonius
as well as some of his old ideas to mix them in his later work in this
play.
‘Nothing but curious pleasures, as from thence’ (Pericles) Act.
1. Scene. 1. |
He rambles a narratine whose music and its masquing was the envy of
his contemporaries while Ben Jonson soured it, hinting it as another
man's success. Pericles is a beguiling stage exploit. Its diverse
aspects of story-value, can hold us from the riddle as well as the
unnamed daughter of Antiochus.
There is the storm around which the characters are built: the reunion
of Pericles and Thaisa in Diana's temple; a princess arise from a
wave-tossed chest and Pericles before whose eyes his wife miraculously
restored. All these and many an event through a period of fourteen
years.
All these events and or part of them have been exploited on stage
with success. More suited for movies because of the environment of the
play along with many a distant places, it is humanly impossible to
recreate some of the scenes on stage. Viewed from memory a large
Shakespearean text the first had only a blurred and vague recollection.
But whenever it is a great moment, Shakespeare's unmistakable voice
enters with the Third Act.
Funnily, Pericles was the first Shakespeare play staged at the
Restoration with Thomas Betterton at 25 years of age, was Pericles. This
play was applauded as well as mocked by the literati and did not appear
in the First Folio. In 1738, it suffered a feeble adaption by George
Lillo called Marina. It was revived by Samuel Phelps in 1854 for The
Sadler's Wells but was not a success.
In 1947 Pericles was mounted with Paul Scofield as Pericles in a
cut-one act adaption. In 1954. The Birmingham Repertory revived a
strained Stratford adaption. The play continued down the years up to
1990. In 1985, it won the prestigious Olivier Award for the Best
Newcomer. In 1990 David Thacker directed the play for the Royal
Shakespeare Company at Stratford which was a roaring success. |