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DateLine Wednesday, 18 July 2007

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Fascinating lines of a mature artist



ARTIST: Chandana Ranaweera

ART: Chandana Ranaweera’s ninth exhibition of paintings will be held at the Alliance Francaise de Kandy, Kandy Art Gallery, in Kandy on July 20. Prof. Ashley Halpe and Mrs. Brigette Halpe will be the chief guests.

Chandana Ranaweera belongs to a new generation of artists who experiment with lines. He has perfected this art so well that he creates wonderful line drawings without much effort. For instance “Raban Handa” (The Sound of Raban) depicts two women playing the rabana. With a few lines he creates two women and their joy in playing the rabana.

The same can be said of “Denama” (Two monks). Here you see two bare-footed monks walking sedately carrying their umbrellas. With a few lines he has depicted the calmness and the serenity


SVARA SANKALANA: Two musicians.


HARMONY: Moon, stars and flowers

of the monks. In another picture we see a senior monk and a novice monk walking together. The senior monk is somewhat detached from worldly feelings but the novice monk or Samanera is excited. He looks at the world with wide open eyes.

Apart from Buddhist monks, the artist seems to be fascinated by gods and goddesses. In one of his paintings three gods are seated on a peacock.

This is somewhat unconventional. In another paintings, a god is seen riding a flying peacock. We really do not know whether he is laughing at gods by drawing them in this manner.

On the other hand music and musicians also play a major role in his creations. In “Svara Sankalana” one musician plays a string instrument and the other plays the tabla. What is remarkable is that Chandana has depicted the feelings of the musicians with the minimum use of lines.

Meanwhile, “Veralehi nala pimbinna” is a complex painting with the flute players plays his flute at the sunset. Then there is the painting of two pipers, blowing their pipes while looking at opposite directions.

Like many other artists, Chandana too has been greatly influenced by the beauty of nature. In “Sanda Saha Bakamuna” he has created the night atmosphere using only lines. “Muhude Oru” and “Sanda Saha Maluvo” show the harmony of nature. “Sanda Tharu ha Mal” deftly paint the beauty of a moon-lit night.

Taken as a whole, Chandana Ranaweera has built up his Sri Lankan identity. He has matured over the years and he will bring honour to the country one day.

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