Impact of international relations on aviation
National Interest and International
Aviation
Kluwer Law International: 2006
Author: Erwin Von Den Steinen
International Civil Aviation Organization
Montreal
Review: Dr. Ruwantissa Abeyratne
AVIATION: This is the first book of an author who has produced
numerous studies and written many articles on civil aviation. As the
author states at the outset, this is not an academic study but rather a
set of observations and findings based on general education and
extensive experience gained as a consultant and expert on the impact of
international relations on aviation.
As such, the reader can look forward to a substantive discourse on an
important area of civil aviation that is continuing to draw the interest
of the international community.
With the exponential growth of the air transport industry, the
significance of national interest in a global industry such as aviation
has grown over the years. More importantly, recognition of national
interests are entrenched in international treaty.
This fact is explicitly reflected in Article 6 of the Convention on
International Civil Aviation, signed at Chicago on 7 December 1944.
The provision effectively precludes scheduled international air
services from being operated over or into the territory of a contracting
State, except with the special permission or authorization of that
State, and in accordance with the terms of such permission or
authorization.
This brings to bear the need to ask whether national interests
bestowed by international treaty have to give way to a multilateral
framework.
The author gets to grips with this question right at the outset of
his work where, in the Preface, he asks the question and answers it in
the negative, stating that national interests will not, and should not
fade away.
He gives four reasons for his position, all of which amply
demonstrate his experience and knowledge in the field of international
relations and aviation. To supplement his thesis, the author structures
his analysis on six formative ideas which permeate through the book.
This makes the text flow logically allowing the reader a sustained
absorption of the author’s trend of thought.
Central theme
A successful author has two approaches: focus on the central theme
from the start; and chart a distinct course thereafter. This is clearly
shown in the Preface where the author attenuates the key principles of
change and adaptation and applies them to international aviation. This
strong focus and direction makes for a robust introduction to the book
and wets the appetite of the reader.
The book comprises eight chapters starting from an introductory
chapter addressing the political angle of international aviation. The
formative part of the first chapter on aviation and globalization
discusses the overall effects of globalization with focus on the history
of governance and the shaping of interests of nations in aviation.
The historical analysis is both educative and invigorating and the
Introduction has one of the best free flowing leads to a book detailing
the politics of aviation and diplomacy I have come across. At the end of
the chapter, the author deftly conveys the overall message, with logical
reasoning, that national interest is defined by international
relationships and challenges.
The second chapter on national relationships and international
regulation takes the reader through the basics of air traffic rights,
bilateral air services agreements and the issue of whether market access
should be in a multilateral regime under the World Trade Organization
and its Annex on Trading Services.
This chapter refreshes the seasoned professional and serves the
uninitiated as a reader friendly and informative introduction. It is for
this reason that I would prescribe this book to my graduate students as
compulsory reading for their course in Aero-political and legal
Environment.
Chapter three leads the discussion on to national interest from a
producer perspective, bringing to bear the roles played by key players
in the aviation industry such as airports and air navigation service
providers.
The link drawn between the component elements of the bilateral air
services such as the Bermuda Principles and the pre-determination of
capacity and operating subsidies would provide the reader with a sense
of perspective in regard to national interest from the point of view of
the producer. In this regard the reader would find the discussion on
protectionism particularly illuminating.
As one would expect, the fourth chapter focuses attention on the
consumer. It starts with a discussion of the Airline Deregulation Act of
1978 of the United States and addresses consumer issues and the national
interests in safeguarding consumer interests from the perspective of the
United States. The historical study which follows is valuable,
particularly in the context of discussions on competition, pricing, user
charges and quality control.
The fifth chapter takes the reader across the Atlantic to a most
important region. The role of the European Union, the Single European
Sky and the European Aviation Safety Agency (EASA) all of which have an
important bearing on global aviation, are discussed in a manner that
brings out the author’s erudition and ability to convert complex issues
into simple, readable text.
Chapter six meshes the North Atlantic market from the perspective of
the US and the EU. The importance of this chapter lies in the excellent
discussion on regulatory convergence and the link to political overtones
that have shaped the aviation history of the two regions.
The two most important issues for the regions, namely market share
and competition, are discussed in the backdrop of burgeoning low cost
carriers and investment in airlines.
There is also an interesting discussion on London Heathrow which
gives the reader a broad picture of challenges face by European and
American airports.
Global threats
The penultimate chapter addresses issues emerging from global threats
to aviation that might impact national interest. The reader is treated
to some current issues regarding border clearance and the relationship
between facilitation and security which are not subjects usually found
in books on aviation and policy.
Of particular interest would be the discussion on pre-clearance. The
chapter succeeds in laying stress on the importance of threat analysis
as a critical factor in national security and interest.
The concluding chapter, aptly termed “The Way Forward” clearly brings
out the author’s position that liberalization for the sake of opening
the market has to be approached cautiously, while at the same time
giving prominence to freedom and mobility. Finally, the author gives
five recommendations toward a way forward which makes for one of the
many reasons that makes the book compelling reading.
The book has a respectable bibliography and serves its purpose, as a
sound introductory study on a complex issue.
Although I would have liked to have seen some discussion on ownership
and control of airlines and autonomous airports and air navigation
service providers, which are critical national interest issues, the book
is not rendered destitute of its effect as a valuable contribution to
aviation literature in the absence of such discussion.
There are a few citation errors in the footnoting which are not
serious since, by the author’s own admission, this is a non academic
work.
I commend this book to lawyers, diplomats and students of
aero-politics and law.
The reviewer is Coordinator, Air Transport Programmes International
Civil Aviation Organization, Canada
www.Abeyratne.com
Jathaka stories in English
Selected stories from 550
Jathaka Book in English
Author: Milton Dharmasinghe
Nisala Publishers, Suderis Silva Mawatha, Horana
133 pp
Price: 190
Review: R.S. Karunaratne
JATHAKA STORIES: Buddhists all over the world love to read
Jathaka stories describing the previous births of
the Buddha. The stories carry moral lessons for the layman.
The Jathaka stories focus on various difficulties, problems,
weaknesses and failures of human beings. The messages in each story
appeal to the young and the old. The author has selected 28 Jathaka
Stories which are relevant to our culture.
Preamble
All the stories in the book carry a preamble explaining the venue and
to whom they were addressed.
For instance, the opening story entitled Sambula Jathaka was narrated
by the Buddha regarding Queen Mallika, the wife of the King of Kosol
region. The venue was Jetavanaramaya.
To help young readers, the author has explained difficult and
unfamiliar words at the end of each story.
Stories
The Jathaka Stories included in the book are: Sambula, Sangeewa,
Kekkari, Samudravani, Satha Paththa, Kesawa, Asthana, Sumangala,
Venareka, Bathiya, Mathsa, Suva, Vattaka, Sala, Moneykundala, Mansa,
Palasa, Tanasandava, Brahmaduththa, Mahasara, Kamaneeya, Kshanthivadi,
Phala, Guttila, Assaka, Money Khantaka, Satta Dharma and Godha.
This is a fine collection of Jathaka Stories written in lucid
English. The only drawback is the heavy print that hampers reading.
Untitled poetry for readers’ delectation
Digu Patu Manpeth
Author: Thanuja Dharmapala
Sandakada Publishers, 44, Kreedapitiya Road, Obeysekarapura, Rajagiriya
120pp Price Rs. 170
Review: Dr. Senarath Tennakoon
POETRY: ”Poetry - and to some extent, all literature-can be
difficult to understand, not only because of the reorganisation and
intensification of the language used by the poet, but also because of
the cultural distance between the poet and the reader which will involve
different uses of language, references to personal and historical
events, and so on.
Nevertheless, the appeal of good poetry lies in its meaning as well
as in its rhythm and sound: the poet has
something to convey in extra-ordinary language, and it is worth the
effort needed to understand it,” wrote Phillip Gaskell in 1998.
Gaskell goes on further to state that good poems are easier to read
than bad ones and these say something worthwhile in a small space
excluding everything that is not essential; and they use poetic language
for a definite purpose; and they please the ear like good music.
Thanuja Dharmapala’s Digu Patu Manpeth is a literary creation that
combines creative expressions and creative line drawings which in
appropriate linkage attract the feelings of a carefully interested
reader.
In an introductory note by Nandana Weerasinghe the use of ‘pivot
words’, ‘saying one thing and meaning another’ by the author, have been
mentioned as an approach to invoke aesthetic meaning. The use of a few
words in a small space has been highlighted.
In another note by Manubandu Vidyapathi, there is a versatile comment
on the metaphorical use of words, creation of mental images, creative
imagination of Thanuja and how Samantha Herath has presented the ideas
of Thanuja through uncoloured line drawings. Even Manibandu casts doubts
of their relevance, appropriateness and representation.
What one observes in Thanuja’s literary creation is a set of
grammatically coined sentences. Some are mere statements which look like
idioms, proverbs and exclamations. Some are questions while some appear
to be obscure expressions.
The reader is attracted towards her skill exhibited in the selection,
and controlled behaviour of words, clauses and phrases in brief
exquisitely organised and arranged sentence patterns.
However, she has segmented or broken these sentences to short lines,
each with a few words. Some lines have just one word (Pages
01,25,28,32,40,43,44,47,48,49,52,53,57). So, she has thought of giving
some form to her expressions. One should be careful not to comment on
the metre (rhythmical scheme of using words).
Although the very commonly observed rhythmical schemes are not
obvious in Thanuja’s one could very well make use of the supra segmental
features of the language, put emphasis, break into syllables in quite a
number of ways while reading aloud each expression.
Although Nandana Weerasinghe observes that Thanuja has been
influenced by the Japanese Haiku, this observation might need further
clarification. In the original Haiku there are three lines and the
respective number of syllables are 5-7-5, but the English translations
may consist of three short lines to suit the subject. An example could
be given:
“Dosing on horseback,
smoke from tea-fires
drifts to the moon”.
Basho as translated by Dianne Doubtfire Digu Patu Manpeth (page 5)
presents an expression which reads somewhat like this;
Mal Suvada
Naas Pudu Asalinma
Maha Ethaka Ede.
Another expression in page 7 is;
Duuvili nisa
Sulan ralith
Bara wadei.
Thanuja has not given titles to any of her creations. The reader
could muse over quite freely without inhibitions despite the line
drawings by Samantha Herath which might place some control over random
imagination.
What disturbs the reader is whether these expressions come within the
territory of poetry? No doubt, poetry is a personal thing which moves us
or delights us. T.S. Eliot in ‘Tradition and the Individual Talent’ has
observed that the poet’s mind is like a receptacle for seizing and
storing up numberless feelings, phrases, images, which remain there
until all the particles which can unite to form a new compound are
present together.
Thanuja’s imagination appears to be hovering over the urban living
environment. Some of her creations attempt to evoke pleasant feelings
over generally unnoticed scenes by the majority of the town dwellers.
The rainbow gathering colours, the dust heavy wind, the vast silent
sky quite unconcerned while dark clouds devour the moon (page 11), the
darkness at the foot of the mountain even on a moonlit night, the
workers returning home unconcerned with the beauty of the evening clouds
(page 20).
But, all these expressions appear to be the end products of her
imagination. Often the structure of the expression and its context
obscure, latent or dormant.
There are quite a few creations that inspire to refresh the
appreciation of reading Gunadasa Amarasekara’s ‘Nagaraye Payu Dedunne’
(Rainbow over the city). While one could enjoy Gunadasa Amarasekara’s
creation for its rhythmical scheme, effect of rhythm (sound of words)
and intensified language within a defined context better, this
opportunity is hardly offered by ‘Thanuja in her expressions (page 20,
58).
Nandana Weerasinghe in his introduction has appreciated the meaning
of two creations indicating an approach for reading Thanuja’s creations,
which could stimulate readers to give a try at innovative thinking and
conceptualisation. |