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Insights into oriental wisdom

COLUMNS: Columnists can do wonders in certain ways, as they may record side issues and comments that can pave the way for unbelievable insights for the historian and other scholars.

This fact is observed mainly in the writings of the late Art Buchwald and Alistair Cooke; their writing appeared in thousands of newspapers over the years. So are the various types of columns written by our own Sinhala writers in the calibre of Munidasa Cumaratunga, Martin Wickramasinghe and Sri Chandraratne Manavasinghe.

I remembered these aspects on reading the column-collection Kandu Pamula (At the Foot of the Mountain, an author publication, 2006) compiled by Dr. Saman Chandra Ranasinghe, a senior lecturer at the University of Sri Jayewardenepura.

In the arrangement of the columns into the book form, the author has added some significant footnotes presumably enabling the reader to peep more into the depth of his presentation and grooming the pieces look more learned, which I think, is the research process akin to the likings of the writer.

Basically the essays contain the wisdom of the East or the Orient, as they may be called at a glance. Dr. Ranasinghe lays emphasis on the selected subjects with gleanings to his mastery-field, the subject of culture and language with reference to Sanskrit.

However, he goes beyond the narrow paths in the subjects, with more modern insights, with more interpretations and analyses, than being mere commentarial like many writings by the university dons.

Take for instance the opening subject titled Sundaratvaya (The Beauty). He quotes a stanza from Hitopadesa by Vishnusharman, an ancient Sanskrit scholar, who is said to have been instrumental in enlightening three sons of a certain king.

Communication

“If there is something one desires and appreciates on this earth, may it be beautiful or not, it is supposed to be something that concerns beauty for him as far as he is concerned” is the plain meaning of the stanza as I understood.

Ranasinghe then goes further steps ahead interpreting the same in more modern terms, with a touch of religious communication selecting some events from actual day to day at his wish.

He shows how the truthfulness can be beautiful, and the friendship and honour added in one’s life could enhance its achievement. The ways and manners of the old age could be termed as beautiful, taking into account of how the life had been spent by a particular individual.

The concepts as laid down in books like Mahabharatha are unfolded, as he says that while the sun shines it is beautiful, but it gradually falls towards the evening and in the same manner the beauty in people too wane gradually, depending on the way they shone while they lived.

Then he goes a step ahead on analyzing the manner in which the people live and presents four interconnected factors: firstly those who live and do nothing, secondly those who live for the sake of living ignorant of what they should perform while they live, thirdly those who live in our hearts for what they have contributed in their lives, and fourthly those who have not lived the life properly, nor do they live in our hearts at all.

He selects the lives of poets who have performed a creative task in order to show that the poets live as long as the people admire their poems. Whenever examples are required to exemplify a matter, the writer draws, at his beck and call, events from his life mainly referring to poets Kumaragama, Alwis Perera, Kudaligama and a few others.

Examples

The writer shifts his attention to such subjects as wind, (sulanga), clouds (valakulu), environment (parisaraya) and life (jivitaya) citing examples from oriental texts and linking them to the modern knowledge.

He has a knack of bringing light to some of the age old anecdotes referring to kings, wise men and poets; the reference made to Sanskrit works like Meghaduta of Kalidasa and Kamasutra of Vatsayana perhaps unknowingly proves that some of the age old sayings and concepts are more modern and acceptable if interpreted scientifically.

For instance, he cites that the work Kamasutra is grossly misunderstood by the modern readers as a text mainly on sex matters, but he says that it is written to explain the value of a better lay life where sex cannot be left out. Thus an invitation is extended to reread the work; one will find more concepts on love than lust and passion.

I found the short essay on Dr E.W. Adikaram as one of the finest so far written about his life and works. For Ranasinghe, Dr. Adikaram is gifted with the rarest nature of being compassionate like a sage of wisdom, with an outlook on many subject areas.

Ranasinghe admires Adikaram’s high truthfulness, simple manners, genuine relationship, being critical on fraudulences, brimful non-violence, being of non-competitive nature and above all his happiness.

He highlights Adikaram’s seven volumes of booklets titled Sitivili Poth should be made to be read by all to evaluate his calibre. I also felt happy on reading the essay on the poet Pandit Vimal Abhayasundara as the time is ripe for some one to assess this poet’s contribution as well.

One moment in his academic career he had been invited to attend an international seminar on Sanskrit studies for which he had duly accepted and gone with some other Sanskrit scholars. During the proceedings most of the Sanskrit scholars have been conversing in Sanskrit.

The writer records with a touch of wit that to his surprise there appeared a certain scholar who accepted he is not familiar with the language called Sanskrit but would prefer to discuss the significance of being knowledgeable in English language.

Such anecdotes of real life too emerge homely in this collection, which in turn open the eyes of many of us; we pretend we know everything though in reality we are not sure what we actually know.

The modern Sinhala columnists of varying nature should take time off from their busy schedule and read this collection. It will definitely help reflect their stance. Dr Saman Chandra Ranasinghe is well equipped with his subject, Language and Culture, and he writes on topics related to it, which is admirable.

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