Mysteries of Sigiriya and its landscape garden
BY MIHINDUKULASURIYA Susantha Fernando
SIGIRIYA rock has mystified visitors to the site throughout her long,
colourful history. Different scholars, historians and journalists have
expressed various views on the Sigiriya rock, in order to unveil the
eternal mystery and enigma shrouding the famous, historical site.
Sigiriya rock and its landscape garden on the ground, as seen from
the air today. |
In doing so, they have often contradicted each other and
overstretched their imagination. Some distinguished scholars are of the
view that the ruins of Sigiriya are those of a Buddhist meditation
centre; others of great erudition dispute such claim, and stand by the
Culavasma version.
Referring to Kasypa I (A.D. 478- A.D. 496), the great chronicle
states: 'he betook himself through fear to Sihagiri (now Sigiri) which
is difficult to ascent for human beings.... thence he built a fine
palace, worthy to behold, like an other Alakamanda, and dwelt there like
(the god) Kuvera.' The interlinear scripts in the Sigiri graffiti, which
was discovered and deciphered by Dr. S. Paranavitana, also came under
criticism many years after his death.
The ruins of the Hanging Gardens of Babylon, as seen today. |
Lately, a learned scribe suggested that Pabbata-raja kings made the
Sigiriya rock a centre of ritual worship and festivals, involving both
rainmaking and fertility rites. This theory also does not hold water,
because there is no convincing evidence to prove that Sigiriya was used
for such purposes, after Kasyapa left the scene.
The most celebrated and enduring attraction of Sigiriya rock, the
famous frescoes attributed to Kasyapa I, are interpreted by different
scholars by different yardsticks. The Sigiriya frescoes vis-a-vis
Kasyapa is not mentioned in the Culavamsa.
The Mahavamsa, which is the oldest chronicle of Sri Lanka, has the
story Kasyapa and Sigiriya totally expunged. Yet the Sigiriya frescoes
are the main attraction on the historic rock, believed by many to have
been executed during Kasyapa's reign.
The Hanging Gardens of Babylon - an artist’s impression |
In his book, The Story of Sigiriya (1972), Dr. S. Paranavitana
describes of an ancient Sinhala tract on Sigiriya, named as,
Sihigiri-vitara, which was supposed to have laid bare more information
about the Sigiriya story and connect Kasyapa with the frescoes.
However, the origin of Sihigiri-vitara is disputed by some scholars.
The ruins on Sihigiriya rock are also a puzzle to the discerning visitor
who finds that they do not appear to be of a palace, let alone a
meditation centre.
Sigiriya Garden was unknown and undiscovered until 1980s.
Neither the archaeologists who laboured for centuries over Sigiriya,
nor the Culavamsa ever mention that there was a highly elaborate garden
on the grounds of Sigiriya rock.
It was only in the 1980s that relentless excavations done by the men
of the Department of Archaeology brought to surface the remains of what
had been a vast landscape garden complex sited at the foot of Sigiriya
rock. It was only subsequently that the new found garden was restored,
landscaped, 'dressed up' and came to be maintained by the dedicated men
of the Central Cultural Triangle.
It can be only presumed that after Kasyapa, the structure on the rock
and the landscape garden on the ground were probably neglected, or used
by interested parties for religious, aesthetic, or sensual pursuits.
As if we did not have enough Sigiriya mysteries to thrill our tried
minds, now the Ministry of Tourism adds yet another mind-twisting
mystery to the plethora of history's mysteries surrounding the famous
rock, by issuing a statement to the effect that Sigiriya has "the oldest
surviving landscape garden in Asia" (Daily News Sep. 24) That is a
distortion of historical facts, says Dr. W.H. Wijepala, Director General
of the Central Cultural Triangle and the former Director General of
Archaeology, whom I interviewed.
He confirmed my conviction that the Sigiriya garden is neither the
"oldest" nor the "oldest surviving landscape garden in Asia". Its
stupendous scale and elaborate planning, however, show the hand of an
artistic genius behind it.
In the absence of concert evidence, the only way to connect Kasyapa
with the landscape garden of Sigiriya is to presume that he who ruled
Sri Lanka during the Gupta period of India (A.D. 320- A.D. 600),
probably borrowed the idea from the magnificent landscape gardens of the
seven earlier cities of Delhi.
The latter were tendered by the Guptas, and ranked as the oldest
landscape gardens in Asia, after the Hanging Gardens of Babylon. The old
Delhi landscape gardens were first built around 500 B.C., while the
Hanging Gardens of Babylon first came up in 600 BC.
It is very likely that the Indian guild artists borrowed the idea of
landscaped gardens from the Babylonians, and made old Delhi the fabled
garden city of ancient India.
The gorgeously landscaped Mahamegavana garden of King Mutasiva (A.D.
307 - A.D. 247) at Anuradhapura could have been also modeled after the
old Delhi gardens, or the Hanging Gardens of Babylon.
The landscape gardens of the seven earlier cities of Delhi Around the
capital city of Delhi are seen today the remains of seven earlier cities
that go back three thousand years. Their ancient ruins are interspersed
with gorgeous landscaped gardens, imposing fortresses, opulent palaces
and onion domed mosques merging harmoniously into the modern city,
making it an exciting travel experience.
The seven cities, each with a unique characteristic of its own were
Indraprastha, Lal Kot, Quila Rai Pithora, Siri, Jahanpanah, Tughlakabad,
and the ruined fortress east of the imposing Qutab Minar.
Excavations made in and around Delhi show that 5000 years ago the
Indus valley civilization extended up to the present-day Delhi.
About 1400 BC, Delhi was called Indraprastha, and was built under the
direction of King Yudhishtir, Ruins of Indraprastra have been found
inside the premises of the Purana Quila excavations. In 1000 BC, there
was a Mauryan King named, 'Dhilu'.
Because of him Delhi got its name. During the period A.D. 320-600,
the Guptas ruled over Delhi, and at this time, this region was called
Golden city and the era was called the Golden era. Kings of Gupta
dynasty founded by Chandragupta I, were the great patrons of art,
culture, languages, mathematics and science.
Many of the finest paintings of ancient India were executed during
Gupta period (A.D. 320-600) which marked the most prosperous era in
Indian history. The best example of such paintings are the murals at
Ajanta caves which are located at western Maharashtra.
They were part of local Vakataka kingdom which had matrimonial
alliances with imperial Guptas. The rich and sensuous life at Vakataka
court and of Gupta India in general is realistically displayed in these
colourful and vibrant murals at Ajanta.
Famous for the meticulous details of nature and the urban landscape,
they influenced or represented the aesthetic sensibilities of the Guptas.
Some scholars are of the view that the Sigiriya frescos also show shades
of Ajanta influence.
The Hanging Gardens of Babylon Babylonians were a separate segment of
the ancient Aryan race. Some of these nomadic Aryans went their separate
ways in their migratory habits and began a settled lifestyle in the
Indus valley in the northwestern India. They came to be named as
Indo-Aryans.
While maintaining trade links with the Babylonians, the Indo-Aryans
probably borrowed the idea of landscape gardening from the Hanging
Gardens of Babylon, for developing the gardens of seven earlier cities
of Delhi.
Located in Babylon near modern-day Baghdad, Iraq, the Hanging Gardens
of Babylon are said to have been laid out by about 600 B.C. on a brick
terrace by King Nebuchadnezzar II for one of his wives.
The writings of a Babylonian priest describe them as approximately
400 feet square and 75 feet above the ground. His account says slaves
working in shifts turned screws to lift water from the nearby Euphrates
River to irrigate the trees, shrubs and flowers.
"The approach to the Garden sloped like a hillside and the several
parts of the structure rose from one another tier on tier.. On all this,
the earth had been piled.. and was thickly planted with trees of every
kind that, by their great size and other charm, gave pleasure to the
beholder... The water machines (raised) the water in great abundance
from the river, although no one outside could see it." - Diodorus
Siculus.
(The writer is the author/publisher of two new books launched
recently. They are: "Rituals, Folk Beliefs & Magical Arts of Sri Lanka,
the New Version" and "Alien Mysteries in Sri Lanka & Egypt, the New
Version". They are available at leading bookshops)
(Courtesy: The Bettmann Archive). |