Masks in dance
Subashini PATHMANATHAN
Mask dances could be divided into three major categories: classical
mask dance, folk mask dance and ritual mask dance. Mask dance in
classical dances are rare compared to the mask dance found in ritual and
folk mask dance. In some classical mask dance items the masks cover the
face fully. Some are side face covered masks like those found in
Kathakali, the classical dance of Kerala.
Most of these dances use the craft work kreedam (crown). In Bharatha
Natyam, a branch which developed in the 20th century, was
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A
Therukoothu dance performance |
called dance drama . Different types of masks are used in dance drama
according to the needs of the selective characters of the diverse
themes. These characters use fully covered face masks.
These masks are mostly made out of certain soft wood which is easy to
carve according to the craftsman’s needs. Even dancers in productions
like Ramayana use masks which cover the face fully for certain
characters like Hanuman, Sukreevan, and Vaali.
Mask making is an excellent and unique talent. It is a good
craftsmanship. Many of the families took this profession as family
heredity. Unfortunately, such craftsmen do not get much recognition in
the modern society. While making the masks the mask maker must express
the real facial expressions of the selective characters clearly.
Classical mask dances, and folk mask dances have certain norms. Both
provide equal opportunity for creativity within the limited frame work.
All the classical and folk dances have certain defined clarified items.
The items of the classical mask dances and Folk mask dances have their
own defined order. They use certain selected ornaments, and designed
costumes. Simillarly each and every Classical and Folk mask dance is
based on certain selective music.
Some are accompanied with vocal music alone while some are only
accompanied with instrumental music alone.Others are accompanied with
vocal music and instrumental music together. Hence all the classical and
folk mask dances have a rich, historical background, and longstanding
historical developments. Some of the folk mask dances are practised only
for certain festivals, and for certain occasions, by a certain caste or
clan annually.
Before the introduction of cinema, drama was quite popular among the
common masses for entertainment purposes. In Tamil folklore, Naadukoothu
, and Therukoothu were quite popular. Both these Koothu forms used masks
to depict the characters. Due to the arrival of cinema, teledramas, TV,
and home vedio systems, these traditional art forms lost their values
and demands. Many of the hereditary actors abandoned these professions,
and switched on to other professions. Terrorism in Sri Lanka for the
past three decades is also one of the major causes for the downfall of
these folk based mask dances.
One of the most popular mask dances of Southern Sri Lanka is Kolam .
Different characters are involved in this dance, and beautiful carved
masks are used according to the needs of the story. Kolam was originally
considered a mask dance form for amusement, but it has a divine origin.
Ritual mask dances are also naturally found in Sri Lanka. Generally
these ritual mask dances are used for religious,
magical and ritual purposes. This particular variety of dance takes
place in open spaces.
Another important mask dance of South Sri Lanka is Sanni Yakuma
.There are altogether 18 Sanni Yakuma demons to cure eighteen types of
diseases. Each Sanni demon has a particular name and each demon is
suppose to heal certain ailments.The dancers represent these demons by
wearing specific masks, black coloured costumes and the skirts decorated
with leaves.
In West Bengal there are two popular mask dances practised during the
Sun festival. Chhau is a ritual dance, and it is also a group dance.
Gamphira is another Bengali mask dance but it is essentially a solo
dance item.
Mask dance is popular around the world like other dance forms. They
are based on their own traditions, and cultural backgrounds. |