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Wednesday, 29 February 2012

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Engineering miracles

Although an artist his true passion lies in humanity and welfare. He has emerged as a peaceful crusader for the oppressed, disabled, mentally handicapped, impoverished and generally for whosoever needs him. “Pakistan does not require great actors but great people. If I create paintings just for the sake of those people who appreciate art, what about those people who are suffering on roads? I feel guilty that I was creating masterpieces and my countrymen were living in misery,” says Jimmy Engineer.

Jimmy Enginner. Pictures by Nissanka Wijeratne

Born to a Parsi family in Loralai, Balochistan, Engineer was educated in Lahore before settling in Karachi. He has over 2000 paintings, 1000 calligraphies and a number of stamps to his name. He also works on a vast variety of themes: historical, philosophical, landscapes, moods, seascapes, architectural and cultural paintings. They also included abstract art, figures work, calligraphic paintings addressing the theme of war and terrorism.

Some of his most famous work comprises a painting depicting Partition which is on display at the National

Art Gallery in Islamabad and his artistic interpretation of great thinker and poet Allama Muhammad Iqbal’s epic poem ‘Javed Nama'.

Around 20, 000 prints of his work are in private collections around the world including China, India, Pakistan, Russia, UK and US.

‘In Search of My Master’, a 612-page epic volume illustrating the artist's work carried out in the during the last four decades was launched recently.

Q: Most artists stick to one or two subjects for their paintings while you work on a variety of themes.

A: I was born into one of the most remote areas of Pakistan. As I grew up I became a student of nature. You are dealing with the perfect master then because nature is perfect while we are imperfect. I thought that if I just work on one theme I'll not learn enough to have the liberty of painting diverse themes and styles. However I strive to achieve a level of excellence in whatever I paint.

Jimmy’s paintings

I will always remain a pupil of nature. I am still learning after 40 years of art and I hope to keep learning. I do not want to stick to one theme and learn nothing. I want to know how different themes offer diverse challenges to an artist. When the process of learning stops the end comes.

Q: Art generally has a healing power on its viewers. Despite taking on themes like war and tragedy, did the work have a therapeutic quality on you as its artist?

A: Basically art is a therapy for all artists but it depends on the individual. Some artists are born artists, some work hard to excel in their field while others have a natural artistic flair.

I painted my dreams because of my connection to nature during childhood. I heard voices telling me what to do and they used to show me a lot of things regarding the future. I was connected with some master but later, as I grew up, I only wanted to help people. I wanted to change their life through art. I followed my inner voices and painted all the images that I felt I should paint to educate the younger generation and generations to come.

Q: Was it difficult to paint the ‘Javed Nama’ especially because you had to mould your painting through Iqbal’s verses?

A: It was the most difficult work I have done in my life. When the poet was alive he wrote in his letter that he would like some artist to create a visual display of the philosophy in the poem. There were two or three great painters from other countries who tried their hand at the deed. They were only able to paint one scene not the whole thing.

I went through his letter and discovered that he had written that the man who paints ‘Javed Nama’ will have a great name in the world. He had also penned that only the artist with the ‘knowledge of the higher intellect’ will be able to do the work.

The poet’s son invited me to take on the project in 1981 saying that since I paint my partition series from my dreams, I would be able to accomplish the task. He gave me a 10 feet x 15 feet wall. I said that I’ll start from the left side of the bottom and finish it on the right side on the top.

I stayed one year and completed the whole poem. A lot of people were fascinated on how poetry can be converted on a wall. It starts exactly from the left side and finishes exactly on the right side.

Jimmy hands over a copy of his book to Sybil Wettasinghe

You can make a painting but there are times when it can be out of balance. Nothing was out of balance in this case. The interesting thing was when the son came to ask me when I would finish my work I would tell him that his father too comes to me asking that question.

Q: Do you need to have some knowledge of architecture to paint the images of buildings that you have painted in your work?

A: I am not an architect and I am only by name Engineer. I have no clue about architecture. What fascinates me is the different structures. I have got a special inbuilt mechanism which tells me that my work is balanced or not. It is almost like an inbuilt computer.

People are amazed how everything is in place in these drawings. Nothing juts out from here and there. Seeing everything in total balance is a quality which derives from childhood.

Q: How do your social service campaigns affect your art and vice versa?

A: There are about three branches in my social service activities. One is the suffering of people. I follow the Buddha’s way of life. If you want to help someone take his or her suffering on yourself. That was my philosophy from my younger days.

I believe that we should go to the sufferers, not that the sufferers should come to us.

I also conduct awareness programmes. I think I must have organised more walks than any other human being ever for different causes. My longest walk was when I walked for one year, covering about 4700 kilometres across Pakistan visiting all the towns, villages and bazaars.

The other form of social service programme which I conduct is for orphans and special children. I want to change their lives. If the rich parents’ children can come to a luxury hotel, then even the poor children can come to the same place.

As a human rights activist I work in jails, entertain and help prisoners. I am a vocal opponent for violence and warfare. You need to be aggressive as a human right activist because you have to deal with aggressive people while your role as a peace maker demands you not to be aggressive. It is not easy to live this kind of life as one person but I manage.

Fun and food programme held in Sri Lanka in 2004

The Buddha gave away all his materialistic items and exchanged it for higher enlightenment. Hoteliers promised to continue with the programmes I came and did in 2004 but I know people have a very short memory and they are too busy with their own lifestyle to think of these matters. But if they had continued these programmes it would have become a great movement by now. I am sure I will come to Sri Lanka again for another programme on behalf of the special children. I want to arrange it with senior journalist Malini Govinnage whom I met during my previous visit.

Q: You have dubbed the process of overcoming your kidney failure as the ‘first miracle’ in your life. What are the other ‘miracles’ you have encountered?

A: You might be creating some kind of miracle by merely sitting on your sofa or walking on the road. You never know what will happen in life.

When I was in Sri Lanka in 2004 it had not rained properly for several years. I was speaking to Malini during that time and told her that before I leave, it would rain. Three or four days before my flight, there was a downpour.

Q: Who is your ‘master’?

A: I think we will always remain imperfect. If you are perfect, you will be the creator. I may be having a lot of negative and imperfect aspects but the important thing is I am trying to follow the perfect path.

The title of the book was given by me. It is written by noted art critic Marjorie Husain. They wanted to take out all my social work and some of my art from the book because they said that nobody will be able to carry the book! It would have been 1200 or 1300 pages instead of 612.

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