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Wednesday, 25 August 2010

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Impeccably structured My Fair Lady

In Greek mythology, Pygmalion, the king of Cyprus, found so many faults in womankind that he resolved to live unmarried. But after painstakingly sculpting a statue of a beautiful woman, he came to regard his creation as so perfect that he fell in love with her. In 1913, Irish playwright George Bernard Shaw adapted the myth to modern-day England

Bernard Shaw’s epic novel, Pygmalion, was adapted to become the longest running Broadway musical and later Warner Brothers made it in to a film and screened worldwide in 1964. This 170 minute long film in colour on 70mm screen was directed by George Cukor starring Rex Harrison as Professor Higgins and Audrey Hepburn as Eliza Dolittle and a stellar cast.


Audrey Hepburn as Elisa Doolittle the cockney-speaking street urchin

Costume design took centre stage and Cecil Beaton, the former Vogue photographer whose imaginative costumes were credited with giving the stage production a uniquely stylized look, was contracted. What stood out in the whole production, I presume is the famed Lerner and Lowe score. Sets like the Ascot races and the Royal Ball added the glamour and the glitter; moreover a Cinderella quality to the film.

It won eight Academy Awards including Best Picture, Best Director, and Best Actor. Unfortunately Hepburn despite her impressive transformation from street urchin to a socialite which comprised the emotional heart of the drama, was left behind. My Fair Lady is considered a classic and the costumes were certainly striking and Cecil Beaton was awarded an Oscar for Best Costume Design.

The film is about Professor Higgins, an English Linguistics Professor,(Rex Harrison) who takes on Eliza Doolittle, (Audrey Hepburn), to train and change her from an unrefined flower girl with a Cockney accent to a society debutante, brings about the elegance of the English language with every utterance.

Higgins is a misogynistic bachelor who pushes Eliza day and night, while wondering why a woman can’t be more like a man, so she can learn to speak properly.

Riding on Eliza’s success is a bet Higgins makes with his friend, Colonel Hugh Pickering, where Higgins claims he will be able to pass Eliza off as a Duchess in six months. As Eliza and Higgins train together, they become accustomed to each other even though it is an abusive relationship on Higgins’ part. Finally the inevitable confrontation occurs: Eliza has surpassed the teacher’s expectations, but the teacher still considers her a common flower girl. How does one move forward in such a situation?

The script, by Alan Jay Lerner, retains Shaw’s acid wit and scrumptious satire and succeeds due to that reason. Both the dialogue and the song lyrics were crafted well. The acting is impeccable: Rex Harrison’s role as a happy-but-cynical misanthrope is played out outrageously well. Audrey Hepburn’s transformation from a common flower girl to a cultured lady is extremely convincing, particularly in terms of her accent. The degree of social commentary that occurs amidst the happy songs and the straight-forward story is amazing.


Hepburn as Elisa with Rex Harrison as Prof. Higgins who transformed her from urchin to elegant lady

The film comments about the British class system, class systems in general, and the notion of language being the reason for there being a class division - an almost Universal concept prevalent in any culture.

Further the movie addresses the virtues of being “civilized” when Eliza becomes a lady, all she can do is sell herself, the virtues of morality when one has nothing to left to lose and the repressed nature of British society in general.

In the film Audrey Hepburn was paid $ 1 million for her role, making her only the second actress in the history of Hollywood to receive a seven-figure sum for a single film. Violet-eyed Elizabeth Taylor as Cleopatra (1963) was the first.

In 1964, My Fair Lady took home eight Academy Awards including Best Director (George Cukor), Scoring, Costumes, Art/Set Direction, Color Cinematography and Best Picture of the Year.

Despite the rave reviews, I still think Higgins gets away too easily considering the poor way he treats Eliza, posing a gender issue, reflecting the mentality of the era the movie was made.

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