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Wednesday, 4 August 2010

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Uniqueness of a canvas

S. H. Sarath exhibition at Lionel Wendt :


S. H. Sarath

The art of S. H. Sarath has a remarkable factor in the painting history of post-colonial Sri Lanka. The uniqueness of his art emerges from the commonality he conveys in his canvas compared with his contemporary painters. And his artistic vocabulary has been formed especially with this commonness created fusing the Lankan tradition and the contemporary life. In this sense, his paintings are fairly modern regarding the era we pass through following colonialism.

He is a different type of a character. He changes his mood into different types of brush colors according to the context. For example, he once wanted to brush and color about war, he used only black and white. Thus he never hesitated to change his style into a better move for the sake practical relevance.

Sarath held his first group exhibition in 1972 at the Lionel Wendt Gallery and his first solo exhibition in 1974. This silent but profound character revolts against the manacles and the disparities of the society.

He is a sort of a campaigner of 'protest art' in 1979 and proved to be a groundbreaking trendsetter in brush and its colours.

"My aesthetic vocabulary is essentially the experience of Weligama, where fauna and flora, fishing boats and market were part of everyday life." Said Sarath.


 Sarath’s works

Sarath was born into a beautiful and culturally rich village in Weligama, Matara, where artists naturally slow-paced superstitious Bali Tovil, lovely folks and the surrounding. They were his first best life catching environment of paintings.

Sarath's artistic interest diverts in two directions: he searches the source of art in mythology (in religion and folklore) and, secondly his contemporary life which he turn out to be his own main form of expression. In this second interest, he always tried to give a social message and a theme on poverty, pollution and social injustice.

And If you look through subtly, you could find that his brushstroke technicalities are thoroughly influenced by Piccaso, Monet and Degas. Yet he still keeps his uniqueness in the context of South Asia in his canvas.

"I have never been exposed to international artistes or their work. At the time painting was reserved for the upper class that could afford time and leisure. My middle class family didn't like me taking it up as a profession though they supported me. It was sheer persistence and stubborn perseverance through hardship and criticism that got me here."

S. H. Sarath will have his painting exhibition at Lionedl Wendt Gallery from August 17 to 19 from 10am to 8:30pm. The next exhibition will be held at the Artist's Gallery from August 22 to September 7.

 

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