Far from the stereotype
Marguerite Abouet’s hugely popular series of books, centred on the
life of a young woman in a cheerful Ivory Coast suburb, show an Africa
far from stereotypes of war and disease.
The characters in “Aya of Yopougon” grapple with everyday issues like
love, family, growing up, pregnancy, marriage — set mostly in a Abidjan
suburb that is colourfully illustrated by Abouet’s partner, Frenchman
Clement Oubrerie.
Marguerite Abouet |
“We call it ‘Yop City’, like in an American film,” says young Aya in
one of the five comic-book novels.
“With ‘Aya’ the aim is that after four pages you no longer think
you’re in Africa but in a story which could be anywhere in the world,”
says 38-year-old Abouet, who lives in Paris but often returns to the
Ivory Coast.
With more than 300,000 copies sold, translations into 12 languages
including English, an array of prizes and a film on the way, the
adventures of young Aya and her friends and family have been a hit.
Elegant and talkative, Abouet was born in Abidjan’s Yopougon
neighbourhood, where she has set the books that feature brightly dressed
characters, dusty roads and community living.
When she was 12, she was sent to live in France with an uncle who was
worried she would end up “hanging out in the street barefoot and playing
football,” she says.
The colder climes of Paris were a wrench for a young girl from her
part of sunny Africa.
“At 12 years old, you’re already grown up, you know plenty of things.
I just needed to close my eyes and I’d be back in Yopougon,” she says.
In Europe she discovered, through television, an Africa different to
the one of peaceful 1970s childhood.
“It’s always the same subjects — AIDS, immigration, war,” she says.
“If there’s a reason why ‘Aya’ is popular, it’s probably because her
story is universal, dealing with everyday life in modern Africa, that’s
all.”
She does not idealise the continent, though. “In parts of Africa
things are all right and in others, they’re not,” she says.
War came to Ivory Coast with a coup in 1999, an armed rebellion
splitting the country in two in 2002, and a deadly civil war.
But Abouet has based her stories, which she began writing when she
was 17, on a time before the fighting.
Born from these adolescent memories, Aya and her friends Bintou,
Adjoua and Moussa tell stories of Ivorian families and culture.
While the heroine aims to become a doctor, Bintou and Adjoua want to
be hairdressers, seamstresses or “husband hunters” and daddy’s boy
Moussa only want to have fun.
“The bit that’s real is Yopougon, the joie de vivre that is
everywhere,” the writer says. “Me, I’m Akissi, Aya’s little sister.”
The book cover |
The first book was published in 2005 to acclaim.
The following year it took the prize for best first book at the
International Comics Festival in Angouleme in western France.
“My life has changed, I stopped my job as a legal assistant. I’m
lucky enough to be chased after by publishers,” Abouet says.
She admits that in her country most children could not afford to buy
the novels she has set in their midst.
This led her to create a “Books for All” foundation tasked with
opening libraries in Africa and encouraging reading: the first has
opened in Adjame, a poor district of Abidjan, and she hopes to open one
in her native Yopougon.
“A house, a bar and a church, that’s how things are right now. So
adding a library to the mix will make the kids realise there’s more to
life than the church or the bar,” Abouet says.
An animated film based on Aya’s adventures is due for release in 2011
and the writer is working on a book called “Welcome” that will star a
Parisian girl. “I can also write stories with white characters,” she
smiles.
AFP |