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Rediscovering Henry

The sudden demise of legendary Dramatist, renowned Actor and Author Henry Jayasena who stood tall on the modest unsophisticated Lumbini Theatre from the early 1960's was devastating news not only to those in his field but to all lovers of our drama and films. He had confessed many times as a much adored artiste that" my heart lies in theatre". Henry Jayasena was definitely amongst in the list of elite eminent literal figures in the calbre of Professor Sarachchandra, Sugathapala de Silva, Dayananda Gunawardena, Premasiri Khemadasa in the annals of our history..

His enormous contribution to the theatre and films spanned for almost 4 decades. He hung up his celebrated acting in the year 1999 after he recovered from the dreaded Colon cancer disease. The entire treatment process took over around one and a half years. On his personal experience and suffering he had written a book titled " Balha Gilano-A. story of a cancer patient" purely to educate the masses. He contributed to 'Artscope' for a number of years under the Henry Jayasena column.


Henry Jayasena. Picture by Palitha Gunasena

However he lived for a further 10 years leading a normal life during which time he revived his famous drama Hunuwataye Kathawa an adoption of Bertol Bretch's Caucasian Circle by deploying experienced and talented new actors along with a few who were involved earlier He in addition had been since occupied as a journalist and an author prior to his sudden demise on 11th November2009.The news of his sudden demise was devastating and unbearable as he was hail and hearty until he entered hospital for some tests to ascertain the current condition of his health...

He was born on 6th July 1931 in a village called Bandiyamulla in Gampaha. He was initially educated at the Gampaha branch of Lorensz College and subsequently at Nalanda College, Colombo. It was late Dr Gunapala Malalasekera an eminent Civil Servant who first predicted a great future for him in the field of acting after the famous educationalist saw little Henry Jayasena acting in a school concert at Nalanda College.

Since leaving school he opted for a career as an Assistant Teacher of English at the Dehipe Government Primary School in Padiyapellela in the Nuwara Eliya District in the year 1950 at the tender age of just 19 years.

He initially ventured into stage acting by producing the drama 'Janaki' in the same year while he was a teacher. As he was adamant to pursue a career in the Government service, he without wasting any time passed the General Clerical Service Examination and secured a job at the Public Works Department (PWD).While working in the PWD with his immense innate creative ability was able to make a number of new plays. The first of which was Manamalayo in the year 1953, then Vedagathkama in1954 and Paukarayo in1959.

Then the vastly improved Dramatist created Janelaya and the famous Kuweni in 1962.Subsequently he produced Thavath Udesanak,Manaranjana Wedawarjana, Ahas Maliga, Hunuwataye Kathawa,Apata Puthe Magak Nethe, Diriya Mava Saha Ege Daruwo,Makara, Savana Siyath Se Puthuni Habha Yana in the years 1964, 1965, 1966, 1967, 1968, 1972, 1973 ,1975 respectively With these creations Henry Jayasena became a household name in Sri Lanka owing to the enormous revolution made in the field of creative arts, with his absorbing and pioneering efforts in the local drama .As a gesture of gratitude for the tedious task of performing Arts besides his contribution towards literature, theatre productions and lyrics for songs Henry Jayasena was honoured by the OBA of his 'Alma Mater the Nalanda College' by conferring on him with "Nalanda Keerthi Shri' title on 27th September 2003..

The veteran Dramatist was married to talented actress Manel Ilangakoon in the year1962. She acted as the lead actress in her first drama Kuweni for which she won the best actresses award for her acting as well as for her singing. She started to act just one year after their marriage. She made a very valuable contribution and a tremendous impact to Hunuwataye Kathawa (Chalk Circle) portraying the main female role as 'Grushe;' for 32 years, opposite the main male character role of Judge Azdak portrayed by her husband She too possessed immense talent and excelled in her absorbing performances. Their only son Sudaraka during his early days acted for the little Prince Micheal.

Actress Manel predeceased him after 42 years of married life on the 24th July 2004.after ailing from complications which arose from chronic renal failure. The general public, relations friends, well wishes family members all rallied around her to save her life. Instead fate was so cruel to snatch her very precious life

While his creations were admired and as he made lasting impressions in his dramas he was simultaneously called upon to act in films. His first role in films was in Sri 296 in the year 1959.During the 1960's he portrayed several roles. The role of Piyal opposite Punya Heendeniya became an award winning film in 1964.Then he portrayed the role of Lalith in Dahasak Sithuwili in 1968..He played vivid roles in Hansavilak,Gehenu Geta,Kaliyugaya,Raththaran Neth.,Wena Swargayak Kumatada,Suhadea Sohoyurayo,Heta Pramada Vedie, Beddegana, Soldadu Unnehe,Kaliugaya, ammai Duwai and Sandakada Pahana. Some of the roles portrayed by him in the above films were leading characters, while in some others they were supporting roles. In each role he very clearly demonstrated and proved his prowess as an actor possessing talent in abundance..

Late Henry Jayasena retired from Government service in the year 1975..Before retiring he held the position of Deputy Director of the National Youth Services Centre ( Arts and Sports Division) and at the Sri Lanka Rupavahini Corporation (Programmes Division).In the early 1990's he portrayed the role of 'Sudu Seeya' in the famous teledrama ' Doo Daruwo'. Most of the characters whether drama, film or teledrama is imprinted indelibly in the minds of people.

After his death as he never wanted publicity and state patronage his funeral too like his wife's was conducted in a very simple manner. His close friends, relations and the 'Kalapura Nivesi Padanama' made all funeral arrangements to precision at his ''Kalapura' residence and was very well patronized.

Thousands of people from all walks of life paid their last respects. His loss is most irreparable to his only son Sudaraka, daughter -in-law Anoma (both employed at the Hatton National Bank), the two grandsons and those in the drama field especially those who were close to him from his early humble beginnings.

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