Cora de Lang opens up Pandora Box
Sachitra MAHENDRA
My life is a pilgrimage through different continents and cultures
till I will reach the last truth within myself one day.
I
have travelled widely throughout the world. I have no words to spell out
my joy in Sri Lanka. I have seen the woes and joys of the people in this
country. You got to stay with a culture for long if you need to
understand its people. I have been here since 2004, and I will carry on
breathing in this culture.
Pandora's
legend survived centuries with various interpretations. Cora
de Lang, who lives in Sri Lanka with her husband Richard
Lang, German Cultural Centre's director, has her own
interpretation of the age-old legend. Her exhibition will be
held at Theertha Red Dot Gallery, 36A, Beddegana South,
Pitakotte from January 18 to February 9. From Monday to
Wednesday: 10.30 am to 5 pm. On Sundays: from 11 am to 4.30
pm.
Cora de Lang blurts out her
idea about Pandora Box to Daily News Artscope. |
What is my mode of expression? It's the question that has been with
me since long. I feel I could have done more. But for some reason, I
have chosen painting and sculpture. The monotony of the dull buildings
and dull streets cast a gloom on my soul. It always harmed my
inspiration and enthusiasm. I started feeling like paralysed in my
existence, inner desires and convictions. It symbolised a snail for me.
I finally made up mind to look out for answers, guidelines or just
hints. I started having faith in my inner voice. It was but all an
entire film that kept me away from the paralysed feeling.
We all see water becoming ice by cooling and condensation. Isn't it
strange? I started seeing thoughts in the same way. They take a physical
form by condensation too. I see everything in the universe as thought in
material form. Perhaps my interpretation of 'condensation' should be
different. I draw and paint. I believe these modes liberate my inner
self and at the same time they give me joy and happiness. I slowly
realised that this is nothing but an universal law. It is barriered by
obstacles and tests, and you need patience and faith to overcome them.
Ever since my childhood I saw myself often in an imaginary film.
Sitting quietly in a corner of the studio of my uncle, Ruben Locaso. I
spent hours and hours painting. I dreamt of becoming an artist, I
experienced myself in this 'film' expressing my feelings , dreams and
stories by painting , what gave me an almost sensual joy. I dived in
this world of fantasy, where strange creatures and magic animals
dominated the landscape, where everything was possible.
I remember what Kandinsky said: "artist cannot be free in life, only
in art." Travelling along my hometown, I could colour the gray
environment into a fair of joy comprising cheering people full of life
and openness of mind. Equipped with conviction of what to flee and what
to seek, I left hometown for longer travels throughout the continent and
around the world. I had to tell myself that the dismissal of the
otherness as a culture, countries or people are nourished and preserved
by prejudices. And I wanted to win over them.
Whatever ugly appearance crossed my way I was looking for its
inheriting beauty. I was always fascinated by other races and beliefs. I
wanted to destroy the prejudices, to prove that everything is relative.
With the beginning of the travels and in a later stage my residency
in Germany, India, Nigeria, Mexico, Spain and Sri Lanka, I experienced
encounters with souls of old friends, dressed in different races,
speaking different languages and idioms, coined by their immediate
cultural surroundings - but nevertheless so naturally known to me.
I see reality whatever the metre it indicates. Time and space is less
measured in hours and miles, but in joyful or sad, long or quick
episodes and encounters as well as supportive or blocking environments.
Being on the trail, my footsteps are growing in size and depth, as I
grew up in the world of boxes and cardboards. My grandfather had set up
a factory of pliable packages; My father took over. And some wrapping
material, cardboards and boxes became part of my life - my first
'canvases', my playground for drawings and paintings. They have
accompanied my life, have been my confidants, my solace, my enticement,
my playmates, my inspiration and my creative projection.
Pandora is the first woman in Greek mythology to get the help from
gods. She was a result of Zeus punishment of mankind for Prometheus'
theft. Pandora opened a box which she was asked not to. The box released
all the evils to the mankind and only hope was left when she closed it. |