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Gleanings:

Culture: International

I read an interesting book in the early 1980s titled Asian and Western Writers in Dialogue: New Cultural Identities. Lankan poet and scholar, the late Guy Amirthanayagam, father of the poet Indran Amirthanayaham, edited it for Macmillan Press Ltd.

The book focuses on problems of translation, the use of English as an international language, the use of lesser known languages, the effect on literature of the shift from the oral tradition to print, and the influences on audiences of spreading education and the impact of mass media.

The writer claims that the breakup and renewal of traditional cultural forms in many countries is a central theme of this book.

The book is divided into two parts: Literary and Cultural Roles, Literary and National Identities.

There is an array of writers who air their views on these subjects. Some of them are well known in English studies and the others respected in their own fields but not so widely known.

Apart from Guy Amirthanayagam, there are Malcolm Bradbury, Kenneth Burke, Leon Edel, Maxine Hong Kingston, U.R.Ananthamurthy, C.D.Narasimiah, Iluko Astami, Revel Denney, Nissim Ezekiel S.C. Harse, Nick Joachim, Peter Hacksoo Lee and our own the late Ediraweera Sarachchandra.

This is what Sarachchandra wrote: "Side by side with a denunciation of western civilization and a revival of Buddhist education and the stabilization of the Buddhist religious order, the last half of the 19th century witnessed the spread of English and the emergence of an English educated middle class, to which people of the new profession, like those of lawyers, doctors, teachers and journalists belonged."

Continuing his essay titled "Tradition Overturned: A Modern Literature in Sri Lanka", the writer who was also a dramatist added that "It was out of this new class who were strictly speaking bilingual that is, who read English and even spoke it but who were able to express themselves with greater ease in Sinhala and were western oriented in their attitude, that there arose the creative writers of the next century, who experimented with the literary forms with which they acquainted through their knowledge of English" Sadly, no mention was made regarding the English educated middle class Thamilians who also contribute to the Lankan Literature per se.

The moot point Sarachchandra makes should be noted.

He justifies the stance of the national-minded people thus: "...westernization aggravated class distinctions creating new classes, which alienated themselves from the common people by language difference and by adoring different ways of life which being those of colonial masters, naturally placed them in an apparent position of superiority to the rest of the people. Class antagonisers were thus created and they bred revolutionary tendencies".

But now the need to learn English and through which the need to know and understand the world has become a reality despite the extremists. Let me conclude this piece with a quotation from Malcolm Bradbury:

He contends that "the ultimate definition of nature is that is an international humane experience"

May I add: In the exuberance of extreme nationalism, we have sidetracked humanism?

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