Oil on canvas:
The favourite medium
Meadows at Dawn: captured as he sees it on oil on canvas
Of the two major schools of painting, i.e. that
of oil on canvas and watercolour, the preferred choice of all great
masters of the past had been oil on canvas but the change came centuries
later when the new crop of painters who were at cross-roads of their
mediums opted for watercolour.
These were the artists who were bent on subtle, soft colour for their
paintings as against the vibrant, spectacular arabesque oil on canvas.
Sometimes, the duplicity of the two mediums have cheated many an artist
to pick up the wrong brush, thus ending what otherwise would have been a
Capturing images on canvas with the conservatism that resulted in
renaissance is good enough for an abundance of quality for an artist who
bears witness for oil on canvas. The superlative concepts have dazzled
the most articulate painter.
Being a follower of Italian art and an avid reader of The History of
Art, I have picked Dr. Prasanna Jayasekera at random among the new
generation of upcoming artists in our country, the way I did citing
Palitha Gunasinghe as a watercolour artist in a previous article. Dr.
Jayasekera is very free with his brush strokes with no restrictions with
a profuse liberation on anatomy on his figures (and no wonder he is a
There is a captivating modest dissonance, trying to emerge from his
art and it will, very soon. He carries the nuances of refinement in a
style of his own. His figures are Italian influenced, especially the
women in royal garb.
He is not a copy cat but one weighed down by the influence of the
Italian masters. Not abstract at all, his artistic work has great joy
and spirit. The colour used for scenery are in keeping with the trends
set by artists who have dabbled in oil on canvas. Dr. Jayasekera is a
consultant Radiologist in a leading hospital but is free of anatomical
influence in his art.
Dr. Prasanna Jayasekera is highly captivated by the Italian
masters and his oil on canvas of The Madonna is proof of
his versatility and authenticity. There is no duplicity nor
influence at all.
Oil on canvas painter finds his subjects among living people as well
as outdoor. He is able to bring out the best in them despite obstacles
such as bad light and moving matter such as birds in flight, rushing
winds, rolling waters or flowing rivers.
He captures them on canvas as they come, no matter how quick the
movements are. Many painters sketch roughly outside and bring indoor to
vibrate the colours that he has stored in his mind. It is a wonderful
asset indeed if he happens to trap in his subconscious mind.
It is the artist's task to paint the world he sees and knows and his
uncompromising images of contemporary rural sceneries and the attitudes
of nature, are his wonderful subjects.
Sometimes a painter can be complacent or lost in his endeavours and
end up in misconceptions. A weak person will drop his palette and wash
his hands off but the plucky one will dare overcome and surge to the
top. Painting by no means is an easy job.
Far from it. It can be frustrating, disappointing or passionate and
formidable. The challenge is there for the artist to bring forth his
He can paint poetry, music and the stillness of life. Yet, the
methods used by him will focus in the medium he uses. Oil on canvas
paintings are so extravagant and simply gorgeous. It leaves behind much
for imagination. His ideas and the ideals are to be a man and a painter
and create a living art. Many will adhere to conventional art and at
times, borrowed from the masters of the past.
Even the size of canvas is the subject of concern. Some paintings
have to be elaborately spread out for significance while others are
concentrated or compact in subject. No painter will strive to fill a
canvas aimlessly. He will be positive about what goes into it. Oil on
canvas is the end result. The glories of spectacular colours and the
dark shades of gloom will spur him on.
So, the painter who creates ideals of harmony can stand apart as an
artistic touchstone, created by himself.