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DateLine Wednesday, 14 February 2007

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Anshuman Ponnamperuma:

A teen has arrived



Artist: Anshuman Ponnamperuma

ART: Anshuman Ponnamperuma has arrived and in great style. All of which he is unaware because he has seen only 14 summers. It was the art of a teen and gorgeous to the point of youthful endeavour.

What a wealth of talent; what abundance of innovation among our painters whether young or old but remains confined to the canvas. This is what crossed my mind when I looked into the eyes of young innocence of a kid in the making.

Hardly 14 years old, this gawky youngster from St. Joseph’s College, Colombo is brimming with ideas some of which I saw on canvas in his first solo exhibition at the Lionel Wendt Art Gallery over the weekend where he displayed 28 untitled paintings on a range of subjects close to his heart and imagination splashed in oil on canvas.

Anshuman Ponnamperuma hails from a happy forward-thinking family who supports his tender innovation and imagination.

The rural settings from his home environment and the figures that cross their territory are imbedded in his mind unconsciously and yet he is not ready to cope or reject their significance as he is self-taught. He has time to mature and turn these visions in his chosen talent to professionalism.

The artist’s life appears heading on a right track. There is a sense of orthodoxy in his strokes that appear free and comfortable.

The smooth flawless finishes are yet to come by and they certainly will with time because he has direct contact with nature when he looks out of his window but he must learn to have eye-contact and store it in his brain. I noticed that he is heavily influenced by the works of Post impressionists.

His recasting of a painting of a battle between Greeks and Turks is from a Master. Yet another from a famous French Revolution and again the young artist is fascinated by the numerous vases filled with flowers painted by Van Goh and Paul Czanne. Even Delacroix has cropt in.

The youngsters must refrain from showering his ardour of these great artists in his work but build up his own individuality which he has in abundance. His easel must stray towards his own talent.

Of course one has to remember that the self-taught artists needs inspiration if he is to flower out as a great Sri Lankan artist like Senaka Senanayake.

He has spectacular talent waiting and to make it to the top, Anshuman must maintain his own signature through which art lovers will identify him in the future. Studying Masters will not help him because he is too young to distance himself from their influence and it might be too late to break the habit.

His own art work on nature and figures impressed me to marvel at his mixing of colour, subtle where it should be and bold to capture the imagination. His ardour for animals was imminent as he had lovingly stroked their lines. I was deeply impressed by his own creation of “The Angry Sea” (I titled the painting).

The young mind has focused the ravage it could cause if one comes in contact with its fury. The angry waves whirling around the water-washed rocks, choking them with passion, capturing their identical colour combinations, were very mature and commanding for a young mind. It displayed what nature could do when in fury.

The paucity of nature, figures, events captured in still life and though convincingly expressed by the Sri Lankan artist, it has not won over foreign art collectors or for that matter, the critic and artists like young Anshuman Ponnamperuma will have all the time to focus attention towards international art centres.

It is sad that this situation prevail because I have crossed most of the art galleries around the world, including the Masters’ collection in Florence and I can say this, that our artists exposed to these locations, can hold their own very comfortably. It is a matter of being absorbed but who will do it for them?

I have the answer. Our embassies in the capital cities like New York, London, Rome, Paris. They can make it a promotion towards our country’s talented painters. The high standard among our artists must be projected around the world.

We have such a diverse and strong cultural heritage that can flare up flare up on canvas to create a sensation but our artists are denied that opportunity and young Anshuman will be walking into the same situation unless he dare break away and start a precedent because he has all the time in the world to do so.

Our country is blessed with spectacular nature in all glory and our doe-eyed, dark-skin damsels are artists’ dream come true.

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