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Wednesday, 21 July 2010

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Sorrow in stone

When Michelangelo completed this monumental sculpture in 1500, the Pieta

left the Vatican for the first time to exhibit the marble carving in the United States.


Michelangelo’s Pieta

As the sculptor completed the Pieta towards the end of 1499, he was barely 24 years old. Living almost to nearly five score years he carved sculptures of immense force and beauty with the flawless beauty that one could observe in this remarkable work. Born on March 6, 1475 as the second son of Buonarroti, a rich Florentine family Michelangelo commenced his forte while still as a kid playing the truant from school in order to draw.

This was the time Lorenzo de’ Medici Il Magnifio opened a school of sculpture to revive the vanishing art of marble carving and Angelo spent four years working and learning prodigiously. His amazing skill and passion for sculpture, he was welcome to move into the Medici Palace as a son of the family. When Michelangelo was 17 years old, Lorenzo de’ Medici passed away.

Since Angelo was sacked by the late Lorenzo’s son, he fled to Bologna. Meanwhile Michelangelo met Jacopo Galli a banker who sensed his talent and commissioned him to carve a Bacchus. This was Angelo’s first life-size sculpture which he designed and carved with a staggering boldness of creativity. The outstretched arm of the tipsy Bacchus.

Just how the Pieta, Michelangelo’s most sacred work arose out of the Bacchus, his most profane is one of those mysteries that could be answered with absolute faith. Among Jacopo Gallis friends was the aged French Cardinal Jean de Villiers de la Grolaic, who wanted a sculpture carved for the Chapel of the Kings of France at the Basilica of St. Peter’s.

There was no way for the Cardinal to say by looking at the Bacchus to tell by looking at the Bacchus that youth who created the epitome of pagan dissoluteness could also turn white Curara marble into the pure and the deeply spiritual. But Jacopo Gallis took the risk. Drawing up a contract for Michelangelo which the Cardinal Gallis promised that the work shall be exquisite as any marble to be seen in Rome today.

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