Mimetic desire
“Violence always seems to be mingled with desire”, wrote Rene Girard,
Professor Emeritus, Stanford University, in ‘Deceit, Desire and the
Novel: Self and Other in Literary Structure’. “Desire is the generative
force behind violence, the snake that turns friends and lovers into
rivals.” says Professor Per Bjornar Grande of Bergen University.
Far from being autonomous, our desire for a certain object is always
provoked by the desire of another person — the model — for this same
object. This means that the relationship between the subject and the
object is not direct: there is always a triangular relationship of
subject, model, and object. The model is the mediator. Mediation is
external when the mediator is beyond the reach of the subject, and is
fictitious. It is internal when the mediator is at the same level as the
subject, then the mediator transforms into a rival and becomes an
obstacle.
Through their characters, our own behaviour is displayed in others.
Everyone holds firmly to the illusion of the authenticity of one’s own
desires; the novelists implacably expose all the diversity of lies,
dissimulations, maneuvers, and the snobbery of the Proustian heroes;
these are all but “tricks of desire”, which prevent one from facing the
truth: envy and jealousy. These characters, desiring the being of the
mediator, project upon him superhuman virtues while at the same time
depreciating themselves, making him a god while making themselves
slaves, in the measure that the mediator is an obstacle to them.
In fiction and films, stories thrive on conflict between characters,
and Girard believes that people do not fight over differences, but they
fight because they all have the same ideas and want the same things, not
because they really want the things, but that which will earn other’s
envy. Because man does not know what to choose, he looks at others, and
he wants what the other is having or wants. When many people desire the
same things, desire, jealousy and rivalry “provide perfect themes for
great novelists”.
Rene Girard calls it Mimetic Desires, that “mimesis is an unconscious
form of imitation that invariably leads to competition and desire is the
most virulent mimetic pathogen”. The idea is not new as Thomas Hobbes
had already written in Leviathen, “if any two men desire the same thing,
which nevertheless they cannot both enjoy, they become enemies”. And
long before that Buddha preached that all suffering and conflicts on
earth is because of man’s craving, desire.
Agganna Sutta is all about mimetic desire, if we are to interpret
using Girardian logic.
Rene Girard has been identified by some critics as a modern day
Christian philosopher, that he is taking the teachings of Jesus in his
literary analysis. “Thou shall not covet the neighbour’s ox, ass or
wife”. Cain murders his brother, because he cannot get what Abel had
got.
This behavour is seen from early childhood, when a toy picked up by
one child is immediately desired by another, and this is carried on to
adulthood, desiring what the neighbour has acquired.
Mimetic desires could also lead to violence. Collective Violence
against scapegoats. The example Girard sites is that only one man can be
a king, who would be the most envied. But everyone can share the
persecution of a victim. “Societies unify themselves by focussing their
imitative desires on the destruction of a scapegoat”, and this could be
the origin of ritual sacrifice. “The victim of a mob is always innocent,
and collective violence is unjust” as we see in the crucifixion of
Jesus.
Girard says that scapegoat mechanism and sacrificial violence is “the
dark secret underpinning all human cultures”. It is the basis for many
works of fiction and drama. Today it is not just individual human
beings, but entire countries that face scapegoat violence led by a group
of countries, behaving like a mob. Often as the desire for something
goes viral, the desire itself could be forgotten, leaving behind only
the rivalry and antagonism. Sacrificial violence, says Per Bjornar
Grande , is a kind of suicide, by killing the other, one also kills
something of oneself, projecting one’s own desires onto another.
With the Gospels, it is with full clarity that are unveiled these
“things hidden since the foundation of the world” (Matthew 13:35), the
foundation of social order on murder, described in all its repulsive
ugliness in the account of the Passion. “This revelation is even clearer
because the text is a work on desire and violence, from the serpent
setting alight the desire of Eve in paradise to the prodigious strength
of the mimetism that brings about the denial of Peter during the Passion
(Mark 14: 66-72; Luke 22:54-62).” Girard reinterprets certain biblical
expressions in light of his theories; for instance, he sees “scandal”
(skandalon, literally, a “snare”, or an “impediment placed in the way
and causing one to stumble or fall”, as signifying mimetic rivalry, for
example Peter’s denial of Jesus. No one escapes responsibility, neither
the envious nor the envied: “Woe to the man through whom scandal comes”
(Matthew 18:7).
Mimetic desire not only drives most novels and films, but also in
recent times facebook and other social media which have gone viral
because of this. The advertising medium survives totally on man’s
desires. That is how international brands exploit man’s/or woman’s
weakness for miming other peoples desires. We are not ashamed, but
rather proud to be identified as victims of mimetic desire, as we wear
branded clothes or consume branded food and drink in public. That is why
business organizations are investing in embedded marketing or brand
entertainment. One example is ‘The Bulgari Connection’ by Fay Weldon.
(Artscope, August 24, 2011).
As long as man is a slave to his own craving, mimetic desires will
control him, and the society in which he lives. Creators of fiction and
films and big business will continue to exploit it.
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