Act of the wise
Channa Bandara Wijekoon
The wise men have spoken. Conclusion of the state drama festival saw
the right persons clinching the right awards this time around. Janaka
Kumbukage was no exception. The challenging character he played in
'Adaraneeya Sanwadayak' (Pedro and the Captain) brought him the much
deserved award of the best actor of 2013.
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Janaka
Kumbukage |
A jubilant Janaka (with a Sean Connery accent) divulging the small
child within him in real life was more than happy to share the
experience and more with the Daily News Artscope.
According to Janaka, the character in Adaraneeya Sanwadayak is the
most challenging one he has played to date on stage. "It was challenging
for many reasons", he says. "When Sunil Chandrasiri first discussed
about this project with me, I was in two minds whether to take it or
not. Then I took the challenge.
The whole drama has only two characters played by Saranga Dissasekera
and me, and the first 45 minutes which was crucial was solely in my
hands.
I had to keep the audience intact with credible delivery. One yawn
from the audience would have destroyed my motivation thus the tempo and
rhythm of the play as well," says Janaka. However we unleashed our
energy to receive an official endorsement for the drama at the end, he
says with a smile. In the drama, Janaka plays the role of an
interrogator of a torture-house while Saranga shows up as his victim.
The interrogator himself emerges as a victim of circumstances as the
story progresses. He who is a person destroyed within... eventually
becomes a 'hunter being hunted'.
Grooming period
Janaka had got the inspiration to take up acting from Dharmasiri
Bandaranaike's Drama 'Ekadhipathi' shown at the Panadura Town hall in
1982.
"Although I had no intention whatsoever to become an actor, I was
stunned by what I saw on stage that day. It was a novel experience for
me and an urge was instantly developed within me to become part and
parcel of this sheer magic happening on stage," he divulges.
Training obtained from Dr Gamini Haththotuwegama's workshop and
joining with his street drama group has groomed Janaka as a budding
actor.
In the process, he had worked with seniors such as H A Perera, Gamini
Hettiarachchi, Wasantha Vittachchi and Parakrama Niriella.
Attending workshops conducted by the veteran playwright Somalatha
Subasinghe and the German playwright Klauz Coozemberg helped me to grasp
the essence of acting, Janaka enthused.
Association with the greats
This exercise had paved way for Janaka to achieve greater heights at
professional level. It had opened doors for him to perform in
Dharmasiri's Makaraakshaya, Ekadhipathi and Dhawala Bheeshana
eventually.
Later, Janaka brought his talents to light in the projects of
Somalatha Subasinghe, Vijitha Guneratne, Bandula Vithanage, Asoka
Handagama and more recently with Jalyalath Manoratne, Sriyantha Mendis,
Athula Peiris, Rajitha Dissanayake and Sunil Chandrasiri.
He currently plays the character played earlier by Ajith Jinadasa in
Manorathne's "Puthra Samagama". Janaka praises Sunil Chandrasiri as a
playwright with a novel approach to drama. He had done three plays with
Sunil; Bheema Bhumi (2000), Jana Mithura (2006) and Adaraneeya
Sanvadayak (2012).
Janaka became the best actor in 2000 too for his character in Bheema
Bhumi.
In the teledrama sphere, Janaka considers the character he played in
Wimalaratne Adhikari's "Isiwara Asapuwa" as his turning-point. The role
of 'Dr Thaambugala' he played in the tale was much praised by viewers
and scholars. More recently he did a powerful role in the first series
of 'Malee'.Though he had done few roles in cinema, the local cinema is
yet to identify the rare talents Janaka possesses which could be
unleashed on screen to attract international attention. (Al Pachinko or
Ben Kingsley wouldn't have achieved those heights, had they not given
opportunities.) Thus identification of a rare talent of an artiste at
the right time is vital.
Scientific acting
Janaka stresses the need for an institute to groom budding artistes.
He thinks acting talents has to be polished and finer-points to be
taught at academic level. Stanislavski, Lee Strasberg and the like
gathered life's changing rhythms to mould a way of scientific acting
method. They taught how to grasp many complicated aspects in life and
project them in acting.
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Janaka and Madani Malwattage after
receiving their awards as the best actor/ actress at the
state drama festival 2013. |
Artistes who have mastered those techniques build a credible way of
acting. They have mastered how to creep into nooks and corners in real
life and adapt those situations in their performances, discloses Janaka.
A good example is the late Nihal Silva's performance in the Brecht
play 'Punthila' directed by Helena Lehthimaki. The actor who was
confined to the comedy role of "Seargent Nallathambi", after attending
Helena's workshop performed in Punthila to show the real stuff he was
made of.
This performance could be kept on par with any world-class actor.
Although it was so, he did not receive any appraisal from the scholars
apart from Prof. Sarachchandra who said, "The first professional actor
in Sri Lanka was born with Punthila."
Nihal had also received a standing ovation from Gamini Fonseka at the
curtain-call, says Janaka with emotion.
Self study
Life's experiences are of utmost importance for actor gain
perfection. Actors in the caliber of Gamini Fonseka or Joe Abeywickrama
had used life's experiences and the acquired knowledge from the society
to project credible performances.
This breed of artistes is well versed with the changing rhythms of
the world itself on all aspects. This entirety in knowledge gives them
the necessary ingredients to bring credibility to their performances.
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