Inside Shakespeare’s Mind:
Mark Antony: A Limb of Caesar
In many instances, Shakespeare tries to connect two plays that are
totally opposed to each other in story-value, history-based, time,
characters, etc such as in Henry V and Juilius Caesar. Before finalising
Henry V, he was already contemplating his next play based on Plutarch
which was a translation of Sir Thomas North that was to be tragedy of
two powerful men, the murdered Caesar and Marcus Brutus who was a
liberal part patrician.
Like the fifth speech of Chorus from Henry V where London pours out
her citizens like senators of the antique Rome to fetch their conquering
Caesar. Up to the point of Caesar's assassination, Shakespeare makes
Mark Antony remain in their shadow. Suddenly, he steps out in all vigour
and power to master mind the situation as rebel rouser. He is given the
best dialogue that was to prove popular and often quoted even when not
in the threatre.
Synopsis
Mark Antony no longer the romantic orator, seizes the opportunity to
rise. He is shocked and angered by the murder and remains cool allowing
Brutus to restore order. Left alone with Caesar's body, he plans to get
at everyone who committed the foul deed. He laments.
Credits
* Julius Caesar – His portrait is more reasonable than in the
Plutarch. Much depends on the actor.
* Octavius Caesar – Caesar’s greatnephew and the coming strong man.
Enemy to Brutus and Cassius. Arrogant, demanding with shades of a
dictator.
* Marcus Antony – A highly theatrical character. Plays a dominant
role, faithful to Caesar. Makes a splendid Forum speech in defence of
the dead Caesar.
* Marcus Brutus – Truly an honourable Roman soldier. The liberal
idealist at war within himself.
* Caisu Cassius – Caesar said of him ‘Such men are dangerous. Speaks
like the Tiber in flood. Passionate, jealous and ambitious. Friend to
Brutus unto death.
* Portia – She is Cato’s daughter and wife to Brutus, brave and
honourable.
* Calphurnia – Wife to Caesar. Frightened, timid and concern for her
husband. She is a study in fear and anxiety. Pleaded with Caesar not to
go to the Capitol on ‘Ides of March’ |
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Mark Antony
takes centre-stage after the assassination of Julius Caesar |
‘O pardon me. Thou bleeding piece of earth,
That I am meek and gentle with these butchers;
Thou art the ruins of the noble man
That ever lived in the tide of times.
Woe to the hand that shed this costly blood';
- ACT. III, Sc I)
There is unrest while Brutus attempts to explain why Caesar had to be
put away. He says he loved Brutus but the people of Rome came first and
had to take this decision as Caesar would have made them slaves. Though
the citizens were skeptical, he spoke in such eloquence they believed
him. Caesar was ambitious he tells them. Brutus makes the mistake by
allowing Anthony to speak. This was the opportunity Antony was waiting
for. He was already appeared at the scene with the body of Caesar.
Contrary to what Brutus told the people, Antony explains simply though
Caesar had to die, that he was an honest and generous man who refused
the crown. But, he says, if Brutus and the rest say he was ambitious,
they may be right. He waves Caesar's will and announce that the Emperor
left all his wealth to the people. He continues to weep, whipping up
their support for him. His words are so moving they all gather to
support his cause. Antony orates to them;
Friends, Romans, countermen, lend me your ears.
I have come to bury Cesar, not to praise him.
The evil that men do lives after them,
The good is often interred with their bones.
So, let it be with Caesar. The noble Brutus
Hath told you Caesar was ambitious
If it were so, it was a grevious fault
And grevious hath Caesar answer'd it.
When that the poor hath cried, Caesar hath wept
Ambition should be made of sterner stuff
Yet, Brutus says he was ambitious
And Brutus is an honourable man ......
- Act III, Sc II
Very subtly Antony maneuver the situation in this speech of searching
and calculate irony and passion while Brutus is left helpless, a victim
in a situation he created. He was already in remorse and leaves the
scene with Antony in full control.
After the death of Caesar, Antony, Octavius Caesar who is a
great-nephew of Caesar and Lepidus take over Rome as triumvirs. They
begin the battle against the conspirators with Brutus and friend,
Cassius quarreling with each other. But it is quelled and they prepare
to leave for Philippi before Caesar appear as a ghost to Brutus. After
exchanging farewells, they part with their armies. Cassius’ army is
beaten by Antony. With wrong information supplied, for Cassius the loss
of his friend Brutus, is the final blow. He orders Pindarus to hold the
sword, the one he used to kill Caesar and kills himself. But Brutus is
not dead. He returns in triumph to meet Cassius only to find him dead.
With vengeance in mind and at the loss of his friend, he goes back to
war but with no avail. He begs his small army that is left to flee and
orders his servant, Strato to hold the sword on which Brutus kills
himself.
With Brutus gone Octavious and Antony pardon all his followers.
Antony pays tribute to Brutus;
‘This was the noblest Roman of them all,
All the conspirators save only he.
Did that they did in envy of great Caesar
He only, in general honest thought
And common good to all, made one of them.
His life was gentle and the elements
So mix'd in him that Nature might stand up
and say to all the world, ‘This was a man’
Thus, Antony speaks the epitaph over his foe.
- Act V, Sce V
In performance
Because of the powerful characters of Brutus and Cassisus, Antony is
always down-played in the theatre but rises like a colossus when he
speaks some of the best dialogue written by Shakespeare.
Highly volatile and extremely brilliant, these words and passages are
ever green in the minds of scholars. If a director decides to mount
Julius Caesar, one reason is Antony just to surface the magnificent
orations both on Caesar and Brutus.
Henry Ainley was Antony at St James's in 1920 in a downright
theatrical manner. Next he was played by Gielgud at the Old Vic in 1930,
and again in 1988. Antony was portrayed as the vibrant character by John
Wilkes Boothe in 1864. However, he was portrayed as the vibrant
character by John Wilkes Boothe in 1864. However, he was portrayed at
his best by Charlton Heston in 1978 in a BBC Production.
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