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Wednesday, 25 April 2012

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Golden Age of creativity

John Milton was perhaps the first self-published author, with his Areopagitica (1664), in defense of Free Speech, which he published as a tract and distributed free. He had defended self-publishing since - “publisher wedges himself between the author and the public, and uses his position as marketplace’s gatekeeper to take most of the profits generated by sales of a book.”

Before the printing press became a business, there was no issue of publishing. A writer would make one or two copies for distribution among his friends, and sometimes his friends would make a few more copies. A writer was like a painter, who created only one painting, which he kept for himself, or gifted to another. Rarely would he sell it. Any copies made of the painting by others were not considered as good as the original.

When books became a commodity, the writer became the victim of the businessman. The publisher decided what should be written and what should be read and what should be paid to the author. This is the unpleasant truth we have to accept today.

Just as there were farmers who may have refused to grow what the trader wanted, and was satisfied with growing what he wanted and earning what little he could from it, there were also writers who wrote because they had the urge to write and were satisfied with what they wrote. Even today there could be many writers and even artists and musicians around us, who did not sell their creative works. But now even these writers and artists have an opportunity to share their work with all mankind, at no cost and at no profit. This door has been opened to them by the internet, where anyone anywhere could upload their work, to be seen, read, listened to and enjoyed by anyone else from anywhere in the world.

For our poets, there are also websites like Writeclique and Pothpath to post their poetry. Google and other sites offer the opportunity for the artist and photographer to display their works. The singers can use Youtube and other such sites, and all of them could use Facebook and Twitter. Writers could use Wordpress.

For those writers who still want their work in print, the ‘Vanity’ publishers have been with us for a long time. The term was probably coined in the United States in the early 1940s implying the author was publishing it out of vanity. He paid for the publication and often gave it away free, or sold it himself and often his motive was not earning money out of it.

The mainstream publishers accept only books that will sell, that will bring them a profit. They would not wish to invest in a book which would not sell. However this did not mean that self-published books were not of a high standard. Publishers are known to have rejected the first books of authors who ended up on best-seller lists later on. The most recent success story that comes to mind is Joanne Rawlings, whose ‘Harry Potter and the Philosopher's Stone’ was rejected by twelve established publishers.

Michelle Kerns (Examiner 30-03-2009), listed many names who had been rejected by mainstream publishers. According to her, Stephen King was rejected with the comment, “Science Fiction with negative Utopias do not sell”, George Orwell, because “it is impossible to sell animal stories in the USA”. It has also been reported elsewhere that Joseph Heller's Catch-22 had been rejected 22 times, and Louis L'Amour had met with 200 rejections!

But not all self-published books were vanity books. Mark Twain paid for the publication of ‘The Adventures of Huckleberry Finn’, Edward Fitzgerald paid for the first edition of Rubayyat. Howard Fast had to publish his ‘Spartacus’ by himself, because he had been branded a communist and publishers did not want to accept his book!

Today self-publishing is no longer for the ‘Vanity’ publishers, who published their own works at their own cost, to satisfy their own ego. Even today there are also ‘Vanity’ publishers who not only pay for publishing their books, but pay their way through to win awards for such books. This group includes writers who set up their own publishing house to publish their writings, to avoid falling into the category of self-published. For some Book Awards self-published books are not accepted.

But for the creative writers, self-publishing has been opened up through Print-on-Demand publishing, where for a very nominal fee an author could get his book published, and receive royalty for the books sold by the publisher. That is perhaps one more step towards de-commercialization of creativity.

With the coming of age of digital books, the mainstream publishers too had to get in on publishing e-books, which allowed them to publish more books with hardly any investment, and also allowed the writers to publish on their own and market their books through Amazon and other on-line distributers, or through their own websites.

Now all of us have more than one choice. We can write, paint or sculpt and keep them to ourselves. We can publish them through a mainstream publisher and make millions. We can publish a limited edition on our own to satisfy our ego. We can publish it through an e-book publisher and earn some money, though not as much as from a print edition. Or we can upload them on the internet for free distribution, to share and share alike.

Could this be the Golden Age of creativity?

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