Scorsese scores with ‘Hugo’
Ruwini JAYAWARDANA
Hugo and Isabelle with the robot
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Based on a Carnegie prize-winning novel, The Invention of Hugo Cabret
by Brian Selznick, Martin Scorsese’s Hugo is an adventure, a mystery and
a celebration of the grandeur of the past all rolled into one.
The opening scene itself is a masterpiece with the buzzing city of
Paris being compared to the interior of a mechanic clock. The downward
descent to the city gains speed as it follows a train which barrels into
a station. This later makes us recall the scene in which the first
cinema slide was captured and projected. This clips showed a train
zooming into the station and nearly makes the audience flee because they
think that they are just about to be run over by a train.
The action does not stop there as the camera moves along briskly and
wordlessly, laying the foundation stones to half a dozen relationships.
It finally stops at its destination, a small boy peering out from one of
the station’s massive clocks - a fact that later suggests that he had
turned the station to his own personal theatre by observing the action,
romance and comedy unfolding live and in reality.
It takes only a few minutes for the audience to access the character
of Hugo Cabret, an orphan, tinkerer, thief and the person who keeps the
station’s clocks working. However we soon realize that Hugo’s character
has deeper layers than that which meets the eye.
The railway inspector with Isabelle and Hugo |
The railway inspector with Isabelle and Hugo |
His fascinated graze is zeroed on Georges, a toymaker and magician.
Thinking that Georges had dozed off on his chair Hugo makes his way to
the store to grab a toy mouse which had been lying on his table. At this
moment the director, cameraman and editor had cleverly inserted a
touching moment: Hugo’s reflection caught in Georges’ eye and his
unspoken understanding on what had been taking place.
It is such magical moments like these, which need no outspoken words
or actions, that keep the ‘Hugo’ magic flowing and enchanting the
audience.
The story is simple yet there are so many silent elements hidden
within its folds that speak a thousand words and trigger your emotions.
Therefore this moment is enough for us to realize that the Hugo- Georges
relationship has a long way to go and it does, helped by a third party,
Georges’ goddaughter, Isabelle. The Isabelle – Hugo friendship develops
when she agrees to help him locate a notebook taken off him by her
godfather. On realizing that she had never seen a film, Hugo sneaks
Isabelle and himself to the nearest movie theatre. Significantly they
watch Harold Lloyd’s Safety Last where the clock gag is later imitated
by Hugo when he hides from the orphan-nabbing railway inspector. While
uncovering a secret hidden within the writing skills of a strange robot,
Hugo and Isabelle stumble upon Georges’ famous hidden past, a glorious
era he had kept hidden and forgotten from the public eye.
The movie brings the world of reality and fantasy together by
tweaking the wonders of the lens. One minute Scorsese seems to be
showing us the harsh reality of the life at the station while the next
minute we are taken on a ride across the imagination in the form of the
past or in one of Hugo’s dreams.
The comic element springs up in the lest expected moment, sometimes
in the form of two elderly people whose only obstacle in being together
is a lap dog owned by the lady or the minor romance brewing between the
railway inspector and the flower girl at the station. Scorsese has also
captured the essence of the digital Paris beautifully, proving that 3D
is not there to increase the spectacle but to give it height, depth,
humour and intensity.
The cast is a joy to watch because their performances are excellent
right down to the smallest roles. The two child actors, Asa Butterfield
and Chloë Grace Moretz, are the real stars of the movie.
Their emotions and actions are brilliantly captured. Ben Kingsley
delivers a deeply moving performance.
Sacha Baron Cohen proves that serious acting too can generate
laughter.
Though Hugo rotates around the adventure of two children, it is
mature enough to keep the adult audience engaged. It embodies a magic
which is rare in modern movies mostly because it comes from the
director’s heart. Its virtues lie in many angles and is one of those
movies which will remain evergreen in the history of Hollywood cinema. |