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Wednesday, 26 October 2011

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Hemaratne Liyanaarachchi: remembering an old friend

Our good friend, who was closer to our heart not only as an intimate friend in the sixties, but also a creative writer of some standing, is no more. I came to know of this sad passing away by someone who rang me from a wedding ceremony. The caller did not disclose his name, and just passed the message of the demise of our friend.

Hemaratne Liyanaarachchi

Liyanaarachchi started his teaching career after passing out as a trained teacher from Maharagama Training College. In the first instance he was a math teacher. Then he gradually shifted his interest to literature, which culminated as an English honours graduate.

During the sixties his maiden collection of Sinhala short stories titled Mataka Satahan caught the attention of the critics of the day as creative writer of some specialty.

We were a group of colleagues who were avid readers of world literature: French writers such as Albert Camus, Russian writers like Anton Chekhov and Tolstoy and various others whose works were seen catching the attention to one whole generation of readers. Hemaratne Liyanaarachchi was one of the mini informants on literary trends.

He was also a creative contributor to radio. Some of his finest short stories were later compiled into one anthology titled Sapumalge Lokaya. His first long work, a Sinhala novel, titled Padadayakugen, made him known as a vibrant creative narrator of certain complexities of human behaviour. His second novel Antimada is one of the most moving short narrative pertaining to the subject of humans entrapped in modern day developments with the advancement of technology.

HL’s second novel titled Mama Rathriya Vemi for me was an experimental entry into a fantasy. In small literary circles he and his works remain constantly discussed. As a contributor to Sinhala newspapers he had two series of articles.

First on his own experience in the world of letters, second, a series of articles on critical theories. We cannot forget him, at least some of the moments we treasure.

 

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