Stormy emotions spark Before the Rains
Ruwini JAYAWARDANA
TK and moores
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Based on the film Red Roofs, part of The Desert Trilogy: Yellow
Asphalt by Dany Verete, Indian director Santosh Sivan’s period piece
Before the Rains unfolds in Kerala. The screenplay is set in 1937 by
Cathy Rabin who had skillfully woven the Indian touch into the story
which was originally placed in Israel.
Moores is a planter aspiring to build a road to transport spices for
export. His main challenge is to complete the project before the monsoon
season. However he is quite confident of building the road on time since
he has the villagers at his beck and call.
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Moores and
sajani |
The key behind his success is T K Neelan, his loyal and obsequious
manservant, who sees no ill behind his master’s actions till it is
almost too late to turn back. A part of his faith towards his master is
shattered when he learns of the passionate relationship Moores shares
with Sajani, his beautiful but naïve housekeeper.
Moores discards Sajani once his wife and son returns from England.
Sajani is herself a married woman but she genuinely loves Moores. When
her husband hears of news that she is seen locked in the arms of another
man, things turn ugly at home. Sajani has no choice but to go to Moores
for help only to find that he wants to send her away so that his life
and family is in safety while she has to live a life of an outcast.
Sentimentality does not play a major role in Before the Rains. Though
you do feel pity for Sajani, you are more in awe of how power acts once
threatened. Moores who seemed a worthy landlord at first glance reveals
his cold hearted nature by ruthlessly exercising his prerogatives.
Interestingly T K wishes for the best of both worlds. He embodies the
respect that the humble villagers show towards the British as well as
dwells in the simplicity and beliefs of the rural Indians. A man who has
no love for conflicts, he is at ease when he bows his head for this
master and is grateful for every scrap of favour that the white man
offers. This is evident in his joy of receiving a pistol for Moores as a
token of gratitude for serving him well.
Though the pistol later serves to be a destructive weapon, T K sees
only the good side of the equipment until it falls into the wrong hands
and unveils itself as a deadly weapon.
sajani, laura and peter at a scene in ‘Before the rains’ |
The film deals with themes such as culture clashes, imperialist
entitlement, betrayal and a forbidden liaison between master and
servant. These are hackneyed ideals in a film which deals with
colonialism but the freshness in which the director handles the plot
keeps the audience immersed. Just when your attention seems to be
withering he brings out a new angle to the story like revealing a part
of the Indian tradition to fascinate the viewers. One such instance
comes towards the end of the film when the villagers use an age old
practice to see whether T K is lying. The spirit of nationalism too is a
sub theme in the play and one which is being awakened even in T K’s mind
at the climax of Before the Rains.
Another plus point in the film is in its visually striking locations.
The waterfall near which Moores and Sajani engage in intimacy displays
nature in all its beauty. Nature is also used as a symbol in certain
instances. The impending stormy weather too predicts the emotional
catastrophe which will follow once the true state of affairs come to
light. Similarly Moores’ son, Peter, releasing his dragonfly from its
bottled prison signifies the transition of Sajani’s soul to another
world.
Linus Roache, Rahul Bose and Nandita Das who play the lead roles
carry off their performance convincingly. Other significant characters
are portrayed by Lal Paul, Jennifer Ehle, Leopold Benedict and John
Standing. |