On designer riots and designer wars
The
Central Environmental Authority, as part of celebrating its 30th
anniversary, held a seminar at the ‘Waters Edge’ on Thursday, August 18,
2011. During the discussion, a man called Elmore Alles, who described
himself as a ‘naturalist’, observed that the recent upheavals in London
could be described as ‘Designer Looting’.
Short story
Although a certain randomness was inscribed on the violence by the
use of the descriptive ‘riot’, it is clear that at worst it was an
exploding of deep seated frustrations. ‘Riots’ are small wars and if
randomness refers to meaningless, destructive, violence that is illegal
and morally repugnant, then what happened in London is essentially the
same as the USA and Britain invading Iraq, the sanctioning of crimes
against humanity in Libya and the continuing massacre of innocents in
Afghanistan and Pakistan. Even the ‘adventures in democracy’ in the
whole of Latin America and Caribbean, South East Asia and the Middle
East can be called ‘Designer Riots’.
A friend of mine from the Yaksha clan and a meticulous compiler of
facts that riot-designers prefer to be hidden from the public eye,
emailed me a short story about riots. It’s almost 450 years old. The
year is 1677. This is his note:
‘Lord treasurer Thomas Osborne, 1st Duke of Leeds, 1st Earl of Danby,
etc., under Kings Charles II and William III of England, arranged the
marriage between the Duke of York’s eldest daughter Mary and the
Protestant William of Orange. Not wanting to depend on cash from
Catholic France, and needing concrete support not available from public
opinion, Danby wondered in 1677, whether ‘a small insurrection’ might
not be desirable as an excuse for obtaining money and arms for the
government.’ That was in 1677.
Authoritarian systems
A few days ago I heard about a film called ‘The New American
Century’. This Massimo Mazzucco’s film follows his ‘Inganno Globale’
(Global Deceit), the 2006 effort which presented all the major
inconsistencies pertaining to the official 9/11 story, indicating that
the ‘spark’ necessary for the ‘Designer Wars’ on Iraq and Afghanistan
was in fact an inside job.
‘The New America Century’ is said to present ‘the historical,
philosophical, economic and political background some of which is
practically unknown to the general public that seems to support such
accusation by the 9/11 Truth Movement’.
Every major war in US history was based on a complete fraud and
that’s admitted by insiders themselves. A hundred years ago the first
film theatres in the US were used to broadcast propaganda to rile the
American people into the Spanish-American War. Not too long ago, white
papers of the oil company Unocal called for the creation of a pipeline
through Afghanistan. The invasion of Afghanistan is fulfilling this
need.
The designers are not interested in democracy or peace. They are not
interested in ousting regional or eliminating thugs or vanquishing
terrorism. It is about profit. If tyranny serves profiteering, tyranny
is left alone. The same goes for monarchies, military juntas and other
authoritarian systems. It’s all about whose tyrant so and so is.
We had our own designer war not too long ago. That war was
designer-made by a big neighbour. Some say it was to punish the then
President for being a loyal Yes-Man of Uncle Sam, so much so that he
earned the sobriquet ‘Yankee Dickey’.
On the other hand the said big neighbour, in 1991, genuflected before
the IMF, taking the wrong path that the small neighbour had taken 13
years previously.
More pertinent, probably, was the separatist fervour gaining momentum
in the Southern part of that big country. It was time to design a
deflection. Money, guns and expertise were loaned to make sure that the
small neighbour burned. It burned for 30 years and in the process burnt
the designer too.
London was a riot. A riot of design, as the naturalist claimed. Not
new, ladies and gentlemen, no. The history of the modern world is about
designer wars, it can be claimed. And like all crimes, it is useful to
ask, ‘who benefitted the most and how’ and you will get the identity of
the designer.
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