Individual escapade
Mama Venama Malak to unfurl at Tower Hall in June:
Ruwini Jayawardana
Individuality is a great feature for self-growth. The most exciting
place to discover talent is within yourself but remember that different
individuals possess different talents. Just because one person excels in
one field it does not mean that others need follow suite.
Mama Venama Malak
credits
* Director: Nalaka
Swarnatilake
* Music: Nuwan Vithanage
* Lyrics: Amitha Rabbidigala
* Choreography: Harshika Rathnayaka
* Make-up: Banu Prasanna
* Lighting: Ranga Samarakoon
* Set designing: Susantha Nanayakkara
* Stage manager: Ashoka Weeratunga
* Vocalists: Malithi Jayaratne, Dulanjali Gamage, Chathurika
Iroshani Perera, Dasanthi Sanjeewani Gamage and Anuthara
Mandis (from Nanda Malini Sangeetha Ashremaya)
* Graphic designing, publicity and promotions: Kanchana
Ranga (Ideaa Infinity)
* Cast: Thisuri Lavanya, Chaturni Indrachapa, Nuwanthika
Kaushalya, Nipuni Narmada, Tehara Kannangara, Amaya
Senaratna, Niromi Nawanjali, Chalani Himansha, Pramodi
Atigala, Sanduni Edirimanna, Ithara Silva, Akila Dayarathna,
Kusum Renu and Sanjeewa Upendra. The students are
from St Pauls Girls School,
Devi Balika Vidyalaya, Sirimavo Bandaranayake Balika
Vidyalaya, Visakha Vidyalaya and Royal College |
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Akila,
Kusum and Thisuri |
They may be able to stand out in another field. Individuals need to
discover their innate talents instead of becoming a part of a fruitless
rat race to get to the top notch of an area which they do not harness
any passion for.
These ideologies are voiced in the society but very few actually put
them to practice. Hence only a handful are encouraged to pursue that
which had captured their heart and soul. Renowned dramatist Nalaka
Swarnathilake has based his latest drama on this subject. Titled Mama
Venama Malak, the play rotates around Gimhani and her friends and
family. A family drama which addresses children, parents and teachers,
Mama Venama Malak emphasises that rather than parents trying to realize
their own aspirations through their children, it is important to
identify children’s strengths and direct them to achieve their own
greatness.
Just one drama and two teledramas old, Nalaka had already carved a
niche for himself as delivering creations with substance. His maiden
play, Dangamalla Saha Amuthu Iskole, based on Enid Blyton’s work, won
accolades at the State Children’s Drama Festival 2003. He followed this
successful venture by taking the drama to the mini screen. Later his
second teledrama Anne also took to the screen. It was based on Lucy Maud
Montgomery’s Anne of Green Gables.
“Mama Venama Malak is not a translation or adaptation. The concept,
story and script are my own. Personally I am not happy about the present
teledrama trend. Not a single teledrama telecasting on the channels can
be called a children’s teledrama. Most of the creations do portray
children but they have caricatured characters or other adult characters
playing bigger roles and simply label themselves as ‘children’s
teledramas’. Mega teledramas have taken over the scene. Actors are like
machines as they shoot for one story in one location in the morning and
shift to another project and character somewhere else in the afternoon.
Directors should never attempt to make mega children’s teledramas. It
disturbs children’s rhythm,” Nalaka noted.
He admits that the lifestyle of children has changed much since he
worked with the Dangamalla team. Children’s lives too have become
‘instant’ meaning that they have to go to school in the morning and are
frisked off to classes in the afternoon. Stage creations are one of the
only settings that children can enjoy in peace.
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Thisuri and
the basket ball team |
“Even at rehearsals I learn certain things about the lifestyle of the
children. We live in a fantasy world. We cannot get away from this fact.
I have brought some of this glamour into my sets,” he added.
Speaking about the lead character of his latest creation Nalaka
stated that Thisuri Lavanya of St Paul’s Girls School fitted the
appearance of the character that he had in mind. He soon found out that
she has a flair for acting and is able to get into the skin of her
character beautifully.
Queried on how confident he is on sending the message of the play
across to his audience Nalaka said that he had never made productions
for mere entertainment.
“I always wanted the audience to think along the lines of the story
and not forget about it the instant they leave the hall. We live in a
culture where parents accompany children to the theatre. Therefore I
have to cater my play to the adult audience as well. It is a family
drama. The two adult characters, the mother played by Kusum Renu and the
coach played by Sanjeewa Upendra, embody a symbolic value. I’m confident
that this drama will make them rethink these issues,” he said. Asked why
he prefers to work with children and mostly does productions which
revolve around girls, Nalaka broke into a smile.
“Young girls are very talented at performing live on stage. They
embody an innate rhythm for performing arts. Very few male children
possess this ability. However now that you have asked that question, my
next production will hopefully be based on boys,” he smiled.
Mama Venama Malak will go on boards Tower Hall, Maradana, on June 5
at 3 pm and 6 pm. The Event is sponsored by DSI Samson Group (Pvt) Ltd.
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