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Wednesday, 16 March 2011

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Sisyphus and the writer

Albert Camus tried to show the absurdity of human existence in 'The Myth of Sisyphus and Other Essays' (1942). "The Gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back of its own weight. They had thought with some reason that there is no more dreadful punishment than futile and hopeless labour". (Justin O'brien translation).

In the Cullavagga of the Vinaya Pitaka, Anuruddha the Sakyan faced the same never ending Sisyphean task, as explained to him by his brother Mahanama, about the household responsibilities of ploughing, sowing, harvesting and the agricultural cycle year after year. But Anuruddha had an opportunity to lay down his burden forever, by becoming a disciple of the Buddha. Sisyphus was not aware of such an opportunity to escape his torment.

In the Sallatha Sutta of the Samyutta Nikaya, Buddha has explained about the pain caused by an arrow, how the un-instructed would feel the pain of a second arrow, because he feels a mental pain too, which was like another arrow had entered his body. The instructed person would feel only the physical pain. Perhaps Sisyphus too felt only the physical pain every time he carried his rock up the hill. That is the only way he could have been happy as he went down the hill again to pick up the rock. Camus ended his essay, "The struggle itself towards the heights is enough to fill a man's heart. One must imagine Sisyphus happy".

We also find similarities of the Sisyphean myth in the descriptions and temple paintings of the so-called 'Buddhist hell' or 'narakadiya'.

Sisyphean myth was used by Orlando Patterson, in his 1964 novel 'Children of Sisyphus', where he deals with the pathetic life of Jamaican slum-dwellers, and through the story of Dinah, a prostitute who attempts to escape from her degrading circumstances. But when the American rock band, Chicago, sang "I'm gonna take the stone of/sisyphus/I'm gonna roll it back to you./Building a wall of stone.", probably they had no idea they too were carrying the rock of Sisyphus.

Portrayal of Sisyphus

2000 years ago Lucretius identified the Sisyphean myth with politicians struggling to come to power, but are defeated at every attempt, and this interpretation holds even today.

The writer is also carrying a rock uphill, as he struggles to transfer the thoughts in his mind into a form readable by other human beings. Once the book is handed over to the publisher, he finds that the top of the mountain is too narrow to place his rock on. The rock tumbles down and he has to begin all over again. But in the same way that Camus saw Sisyphus, the writer too is a happy man, after he has poured out his story and walks downhill.

The artist struggles with his painting, trying to transfer the image he has in his mind on to the canvass, and once completed, he will either store it away or sell it off, and then is compelled to relieve his mind of the next image that is growing inside him.

We see Sisyphus in our teachers, who struggle with a batch of children, for one whole year, and when they have grasped whatever knowledge had been imparted to them, they leave. The following year there is a new batch of students and the teacher has to begin all over again.

There are some people who struggle up the hill just once, let the rock roll down again, but never bother to go down and carry it up. They are happy to give up, lie down and enjoy the scenery from the top of the mountain. There are others, who run down after the rock, but the second time they are unable to haul it up to the summit. Others need to fortify themselves with stimulants or intoxicants before they begin their task.

There is no mention in the Greek mythology if Sisyphus had competition. Today we face competition, in most tasks, however futile they may be. This competition makes some of us feel the rock to be heavier, the pain and frustration to increase, along with greed and envy.

Through this unending Samsara, we are like Sisyphus, over and over. From our birth we continue the struggle to live, to keep death away from us, to live in good health, gather wealth, learn, and in the end we die, to be born again, to follow the same path, with the knowledge that we will die again. Even though German archaeologist Welcker believed the myth symbolized the vain struggle of man in the pursuit of knowledge, seeking knowledge is an unending task, with never a respite. Perhaps what he meant was that in the end all knowledge we gain throughout our lives is all in vain.

Sisyphus had an advantage that the rock he carried was not too heavy for him. He could somehow carry it up to the top of the hill. In our daily lives, sometimes the burden we have to carry becomes too heavy to lift, or too large to gather within our open arms, and at such times, we either get crushed under the rock as we try to lift it, or strain our body too hard, ending up as a physical wreck. There had also been instances where the rock could stay atop the summit for ever, as we see with the great creations like our Samadhi and Avukana statues and the Sigiriya frescoes.

When we come to think of it, all our efforts are futile, all we do are Sisyphean tasks, because in the end we die, leaving all we have achieved behind us.

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