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Wednesday, 9 March 2011

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Sarachchandra or Shakespeare?

Enough has been said about both these writers: Sarachchandra and Shakespeare. It's high time, I think, we moved on to other writers. But we like to cling on to tradition, no matter what comes to pass around us. We just cannot help it.

The other day I had a light talk with a friend. She was telling me how fascinating Shakespeare is for her. I gave her a firm yes responding he is one of my favourite writers too. As usual our conversation dragged on. I explained what I love most in Shakespeare is he could manipulate the sources into his own creativity - and that turned out to be philosophical. My friend seemed to be interested in knowing how he did that - Shakespeare manipulating the sources, I mean. To explain it further I took Sarachchandra as an example. He too made use of classical sources for his stage plays.

Then came her comment, which is interesting.

"Compared to Shakespeare, Sarachchandra is dwarfish."

"Yes," I thoughtfully nodded in agreement. But I wanted to give it a thought later. Is Sarachchandra really dwarfish compared to Shakespeare? Definitely he should be, was my first impression too. At length I started thinking of both writers. To think who is really dwarfish was something hard to do with my dwarfish knowledge. But never mind, it deserves a try. As we all know Shakespeare is considered the Bard of English literature. He used that talent to produce numerous playscripts and sonnets. He brought forward a philosophy of his own. Apart from that he was an actor, which is a little known factor. Nothing much is known apart from all this.

William Shakespeare Ediriweera Sarachchandra

Who was Sarachchandra? Now this is a question any Sri Lankan student would find easy to answer. He was a playwright, they would answer without much difficulty.

Sarachchandra's halo however has a wider range. He initiated his career as a university don. Not only that, but Sarachchandra wrote poetry, short stories, novels and published research works. To add, he was a social reformer too and has been honoured with prestigious awards such as Ramon Magsaysay award for literature. In recognition of his contribution to the culture, Sarachchandra was chosen for diplomacy career too. His creativity sparkled on print, sound and visual media. Being a bilingual he could experience both eastern and western cultures. That is Sarachchandra in short, though much more could be added. Sarachchandra outsmarted Shakespeare not only in works but also in life.

Now, back to my conversation with the friend. I try to recall the emotions that flashed across her face when she blurted out that interesting comment. What can they be? Pride? Proud of what? Being familiar with English? My friend and I are of the same ilk, I think. I cannot degrade her and consider myself greater simply because I try to sound superior in this note. We are in essence the victims of one tragic historical event. That forced us to grow up in the same environs - colonial Lanka. Colonial mind is one thing, I would rather add, we cannot get rid of. Sadly or happily I can see ourselves hemmed in by that wall. That wall is the acknowledgment of our helplessness.

I do not want to degrade the literary personalities as one against another either. I respect both geniuses alike. But at least if we can seriously consider the value of our literature with due respect to western literature, that will be quite a welcome option. Before looking for other riches, why not look for your own?

I know this cry is mere empty words. Try to join me in crying out this for the whole world, and they won't hear us. What we must not forget however is that the cry itself will turn out to be a remarkable monologue. It will grow husky in generations to come. [email protected]

 

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