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Wednesday, 13 October 2010

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Verse and bygone days

Insights into the craft of poetry:

Once a young poet writing to Rainer Maria Rilke, one of the greatest poets in the 20th Century Europe requested him to do a review of some of his poems.

Rilke refused to do so. Instead he wrote in his letters to this young poet, on how to look at life and the world with eyes of a poet. The correspondence spanned for six years. The young poet had the letters published in 1929, three years after Rilke’s death.

Though almost insignificant in size when compared to the vast number of Rainer Maria Rilke’s poetic works, these ten letters have become a handbook, a teaching tool for creative writers.

Rilke in his letters discusses many themes. Creative writing and the prerequisites of the task, love, career choices and conjugal rights are some of them. Nevertheless most useful for a young creative writer would be his concepts in relation to creative writing mentioned in these letters.

In the first letter of Letters to a Young Poet he says that it is not everybody who could be a poet, a creative writer. How could one find out? ‘There’s only one thing you should do. Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart. Ask yourself whether you would have to die if you were forbidden to write.

This, most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself deep for an answer. If the answer rings out in assent, if you meet this solemn question with a strong simple ‘I must’ then build your life in accordance with your necessity.

Many young people wish to become poets, but it is only a few who can become such, he says. “One should have an urge from within-from one’s innermost soul, an intense urge to write.”

A writer should work hard at the poetic craft to discover one’s own distinctive perspective of the world. Rather than be a follower of someone or mimicking someone’s work, the young poet should dig deep into himself or herself for his or her own unique voice-authenticity says Rilke.

Rilke talks much about solitude in his letters. He sees it as an essential prerequisite for a true artist. ‘What is necessary, after all, is only this: solitude, vast inner solitude. To walk inside yourself and meet no one for hours - that is what you must be able to attain.

To be solitary as you were when you were a child, when the grown-ups walked around involved with matters that seemed large and important because they looked so busy and because you didn’t understand a thing about what they were doing.’ PR

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