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Wednesday, 29 September 2010

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Zero to Hero

Disability studies and disability literature are relatively new interdisciplinary academic fields focusing on how people with disabilities show up in history, literature, social policy, law, architecture, and other disciplines.

The disable community of a country has the potential to become a powerful lobby, politically and economically. Particularly in a country like Sri Lanka which has been affected with a civil war, it is worth to investigate how the disable people are welcomed by their society. As literature informs and is informed by society, depiction disability in literature is a topic worthy of consideration.

When talking about disable characters in literature, many books come to my mind instantly. First, is A Story of a Real Man by Soviet writer Boris Polevoi. Sinhala readers are privileged to read the translation of this book as Saba Minisekuge Kathawak. It is a story of downed WWII Soviet fighter pilot Alexiei Maresyev, who with both feet amputated because of frostbite, returns to combat flying.

In A Christmas Carol by Charles Dickens too has a crippled character named Tiny Tim.

The presence of the crippled Tiny Tim adds an element of sentimentality to the description which helps to evoke the shared emotional response in the audience that would unite them in a community of feeling.

The depiction of Tiny Tim elicits the empathy amongst his readers that Dickens saw as essential to the Christmas spirit. Dickens writes, “Alas for Tiny Tim, he bore a little crutch and had his limbs supported by an iron frame”.

Angela Carter’s post modern novel The Passion of New Eve will be the final novel to be focused since it also talks about crippled. It contains satirical overtones and it would appear, at first glance, that Carter has been particularly harsh in her portrayal of the disabled character, Zero. The name Zero itself implies the state of disable people.

It is difficult to interpret every writer’s portrayal of a disabled character. There is a possibility that some writers use the disability of their characters as a criticism of society’s attitudes towards disabled people.

Generally, the books that kids are basically reading in Australia, the books they would buy in the bookshop, are Harry Potter, Dr Seuss or Enid Blyton. Australian writer Alan Marshall’s book, I Can Jump Puddles is something amazing to me. Comparing to Harry Potter, this was a story not a fantasy, which really Enid Blyton’s Famous Five was. But this is a real story about a real boy, told by a man in his forties, who has an incredible memory for what happened to him when he contracted polio.

It is not the crutches that bring the rich and wonderful life, it is the type of mind that one is forced to cultivate because of crutches. Marshal has presented how a disable boy becomes an observer. He becomes an onlooker and therefore, being able to watch people and him become more compassionate and he understands the community more. And most of all, the fact that a disable swinging on crutches often enables him to meet many people that he would not meet otherwise.

Alan Marshal is resurrecting in Sinhala literary canon as his I Can Jump Puddles is translated as Mata Puluwan by Kathyana Amarasinghe.

A book such as I Can Jump Puddles will build up the mindsets of a society to think different as well as humane towards disables. Kathyana, who has already translated seven English novels into Sinhala, would never disappoint her readers, because she would not survive in the field of translation if she did before.

She emerged in the field of literature as a poet, so I believe that she would possess the essential requirements in translating such a novel: passion and sensitivity. Lets read the metamorphosis how zero becomes a hero.

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