Fine blend of creative realism
Seasoned
and senior writer Punyakante Wijenaike’s latest collection (2009), That
Deep Silence consists poems and short stories. Let’s take her short
stories for critical appreciation this week in this column.
There are 26 stories in this collection. They are appreciatively
short in length. We recommend our writers young and old to study these
stories and learn the craft of writing before submitting their own
stories for publication in the Daily News Short Story / Poetry Page.
Excerpts |
She
relevantly asks: Do we blend like nature does in our island
home?...Do we have to wait for governments to repair our broken
lives? Do we have to wait for law and order to be resumed?... Or
can we begin the change by changing ourselves our attitudes
towards each other, breaking down barriers of race, caste, creed
and background? That may be the only way to move forward as one
race in our Paradise Island? |
Before
we study her stories we must know what her objective had been in writing
these stories. Some of her statements in the Preface give us some idea
of what is in her mind.
Of course in a multiracial society we cannot all belong to one single
race because if we do that then we lose our ethnic identity which is
essential in a pluralistic society. Variety adds colour to the nation’s
fabric. Certainly we belong to one nation without losing our individual
identity.
Having spoken our mind let us see how the writer suggests a kind of
oneness in thought and feeling in her stories.
The title story- ‘That Deep Silence’- depicts the predicament of a
mother driven to desperation due to changing values as seen in her own
daughter’s decision to demolish an ancestral home to build a modern
house.
It’s the deep silence she maintains by way of protest towards her
daughter who in turn meant good for her mother. But people with
cherished values of their own are difficult to be uprooted is the main
idea in the story.
‘A Message of Love’ is a lamentation of widowed air force personnel
who by premonition has sensed his demise and suggested his wife to wear
white Sari which he bought for her just before his leaving for the war
front.
‘A Gilded Cage’ is also an unusual story .An affectionate mother
going by the horoscope of her daughter dissuade her not to have sex with
her intended husband for the simple belief that she will die at the
birth of her child.
‘Ashe to Ashes’ is again depiction of relationship between a parent
and the off springs. I shall give a passage from this story to indicate
the predicament of the elderly father left lonely. Please note the
economy of words with which that the writer brings the atmosphere
creatively.
‘Confined to his bedroom into which Mother Nature poured in sunlight
and a view of trees and birds outside, he stayed alone day after day.
For the first time in his life he began to rebel against loneliness. He
longed for someone to sit by his bedside and hold his hand. He grew
tired of the brick, unplastered walls he had created, and remembered his
wife used to complain about their coldness.He grew afraid, like a child,
of the dark night pressing against the tall, glass windows of his
bedroom. He began to wish he had hung curtains.”
“Child Soldier” is a story told by a child soldier in the recent past
in the North. The conclusion part of is telling in depth; “If no one
‘rescues’ me again I might jump into the sea and join my Appa wherever
he is because I am no longer afraid of death. And I hate this world
where nothing positive is achieved.”
Punyakante Wijenaike |
Here is a passage from her story ‘Facing the Sunset’ which again a
felt experience of a private kind of loneliness and the eventual
anticipation of death. “As she lay alone in her hospital bed she looked
out of the window at the evening sky. Nothing had changed. The dying sun
was surrounded by a glorious sky.”
This collection by Wijenaike has 20 more well written stories that
are readable and effective in communication. But to constraint space I
avoid commenting on each of them. But let me give the titles of the
remaining stories so that you can pick them up and form your own opinion
apart from deriving pleasure in reading creative writing of substance.
The stories are: Living for the Day…Love is never wrong, Mother
Courage, Nidhanaya, No Grass for My Feet, Pooja, Shallow water, So near
and yet so far…Strangers when we met, Ahinsa, The Photograph, The
Sacrifice, The Decision, The Farmer’s Son, The Guardian, The Tank and
the Temple, The Unopened Door, The Wedding, The Distant Dream, and
Tradition,
Readers would have noted that the writer bases her stories on Lankan
locales and succinctly bring out aspects of Lankan Culture, even though
the main themes of hers are loneliness and death.
A discriminating reader particularly those who are new to short story
writing will benefit from the collection. It is a Vijitha Yapa
Publication.
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