Anouilh's creativity sparks on Sinhala stage
With Namel Weeramuni's Nattukkari :
Jayanthi LIYANAGE
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Scenes from
Nattukkari |
The play Nattukkari produced by Namel Malini Punchi Theatre and
directed by Namel Weeramuni, will go on boards on August 14, 15 and 16
with a star-studded cast: Surangi Kosala, Ruwan Wickremasinghe, Janaka
Mawella, Malini Weeramuni, Deepani de Silva, Sannette Dikkumbura, Anushi
Dissanayake, Anil K. Wijesinghe, Visaka Jayaweera, Senevirathne Bandara,
Daya Tennekoon and Tharindu Madhushanka. Music, directed by Premasiri
Khemadasa in previous productions, will be provided by Jayatissa
Alahakoon.
Nattukkari is Namel's translation of the French playwright Jean
Anouilh's 'Colombe'. In his introduction and analysis of Anouilh's
plays, given in the published script Nattukkari, Namel says that the
play is about disillusionment with life which is the thread running
through the entire production. Julian is the first son of the great
actress Madam Alexandra. He is an idealist and a man of pride. He abhors
the theatrical world he had been brought up in, seeing it as one of
conspiracy and falsehoods. He entrusts his wife Colombe to the care of
his mother while he goes to the war front and loses the wife who is
engulfed in the theatre world. Colombe's life changes as she
internalises the shallow, ostentatious and sycophant chatter of his
mother. She is caught up in a love entanglement with Julian's younger
brother Paul, and becomes his mistress. This brings great sadness and
disillusionment to Julian. This disillusionment is not the lost of only
Julian. It is the theme running through all the characters.
"I call Nattukkari a tragicomedy," says Namal. "We are telling the
tragedy through comedy. I am trying to depict the loneliness of the
characters. However much power a person may have in himself as a person,
ultimately he has to bow down to somebody. I have symbolized that in the
play right throughout. It is a highly tensed comic play which will give
food for thought."
Anouilh is a product of the last century. He was born in 1910 in
Bordeaux in France to a professional violinist serving in Arachon Casino
band. His father was a tailor. Anouilh made his entry to the theatre
arena by composing short plays. He became an actor and a producer after
starting to work as the secretary of the well-known French playwright
Louis Jouvet. In 1931, he wrote and produced the play, L'Hermine, and
married actress Mono Valentin.
She acted the main role in Anouilh's adaptation of Antigony in 1944
and became very popular. From 1937 to 1959 he wrote and produced a
number of plays and became a celebrated playwright. In all his plays,
his depiction of meaningful social realities and ironical analysis of
life and soul is clearly seen.
Namel says that the most striking feature of Anouilh's plays is his
creative conversation. His language is powerful, colloquial, lilting and
varied. His words are chosen with economy and disciplined
appropriateness. Perhaps the same words can be employed to describe
Namel's Sinhala script of the play.
A critic named Marsh has commented that Anouilh-created characters in
Nattukkari to laugh at qualities he had valued earlier. Anouilh is seen
as a writer who has grasped human weaknesses well. In the play, one
finds sympathy for Colombe and intellectual approval for Julian.
Julian's puritan idealism has no value in the end and his character is
depicted as unattractive.
Anouilh is seen as a writer who mocks the idealism he failed to find
in reality.
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