Indika Fernando brings
Kaleidoscopic ‘Colombo Colombo’ On stage
Sachitra MAHENDRA
They are caught up in their own encounters at different locations.
The four couples have a dilemma: they can hardly grasp the identity of
each other. Indika Ferdinando is to ferret out the solace among them in
his latest stage play ‘Colombo Colombo’.
‘Colombo Colombo’ rehearsal. Pictures by Ruwan de Silva |
Ferdinando has received many awards for his plays including
Janadipathi Thaththa. He was the best upcoming director at the State
Drama Festival 2000. He is a versatile artiste, above all, being a
director, actor and scriptwriter. He found his feet strong on the stage
during his university years.
“Cast is the most important element for me. They have a magic within
them. For this matter, no one can challenge the cast, so I keep on doing
theatre productions until I discover their magic in a full scope.”
Ferdinando says.
‘Colombo Colombo’ is an attempt to exhume the life in crowded
Colombo. It provides a periscopic view into what is happening in various
places of Colombo such as tunnels. Characters move on with their varied
experiences. The satire in the plot, Ferdinando handles with much ease.
The music in the play are almost surrealistic, but they are not so in
actual sense. Dances are tuned to the effect of the song-rhythm. The
play, which runs for half an hour, does not have a traditional separate
music orchestration. It is being rehearsed at the premises of University
of Visual Arts and Performance these days with the participation of both
undergraduates and outsiders.
Lovers are engaged in their personal talks, while a balloon man
passes by. In the following scene, they all dance together. All
characters are similar and diverse in their own forms. All scenes are
like a tapestry, says Saumya Liyanage, who performs the male lead.
Anasuya Subasinghe |
Indika Ferdinando |
“I always loved the theatre. It is so amazing. My role in Colombo
Colombo is diverse. I mainly act like an old man but I act like a young
lover too.”
Anasuya Subasinghe, more seen on the English stage, performs the
female lead. She finds her role as Vyanga very challenging. Vyanga is
both old and young.
“It shifts rapidly, so it’s sort of challenging to give life to
various roles in one go.” She says.
Commenting on the Sinhala theatre, Anushiya says it’s more
professional in the Lankan context, whereas the English theatre is
confined to Colombo.
“But I think it has a solid audience within Colombo premises.” A
tragicomedy by nature, it brings in a novel aspect of theatre
performance, with the physical form of the guitar being used both as a
musical instrument and also as a character in the play.
The play is the offshoot of a research project carried by Indika
Ferdinando and Saumya Liyanage. The research paper was recently
submitted to the symposium held at the University of Kelaniya.
“The theatre has been dominated by the Aristotelian linear mode. It
restricts the theatre’s scope and affects the natural development of
this art medium. Theatre should go beyond the limitations. You have a
wide scope in the theatre.”
Saumya Liyanage |
Indika’s plays do not respect the accepted norm. They rather come up
with fragments. Life itself is fragmented, so the theatre should be the
same. Yet they are all thematically similar.
The drama also brings together versatile set designer Pradeep
Chandrasiri who has won the State Drama Award for Set Design for several
consecutive years, as well as Thushan Dias as Lighting Designer, backed
by many years of experience and a range of productions to his credit in
both the Sinhala and English stage.
The drama is presented by Theatre Plus, which was formed as an
experimental platform for theatre practitioners and looks into various
aspects of theatre production and related research.
Its membership consists of experienced theatre practitioners and
academics and works with a sound practical orientation.
Although these incidents take place in four different locations in
Colombo, they represent the issues prevalent in every corner of this
island. ‘Colombo Colombo’ attempts to look critically at some of the
influences that transform human relationships and lead them into
conflict; the social and political system that constantly infiltrates
those human relationships; and the collective indifference with which
the public nurtures the system severely influences their lives.
‘Colombo Colombo’ is a tragi-comic musical play and an experimental
theatre endeavour that consists of a compilation of independent scenes
and does not conform to a linear story line. However, the scenes are
cohesively linked by the appearances of several significant characters
that are common to all the events.
Another important aspect of this play is the use of the guitar and
the human body as musical instruments, while the actors collectively
play the roles of musician, singer and dancer.
At times, ‘Colombo Colombo’ takes a jab at transcending reason and
reality. It is fast-paced, theatrical, and bursting with energy. It
attempts to create a fresh theatre experience for the Sri Lankan
audience.
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Colombo Colombo theatre production
Cast:
Saumya Liyanage
Anasuya Subasinghe
Jagath Chamila
Atula Jayasinghe
Sarath Karunaratne
Upul Weerasinghe
Thilanka Gamage
Nadika Somathilake
Stage set and costume design:
Pradeep Chandrasiri
Music: Theja Buddhika
Rodrigo (Misha)
Choreography: Manubandu
Vidyapathy
Make-up: Jagath Padmasiri
Lighting Design: Thushan
Dias
Stage Management: Kosala
Thotawatte
Stage Management Assistance:
Himali Thakshala amd Disna Dilantha
Lyrics: Piyal Kariyawasam
Media Coordination: Gaya
Nagahawatta
Script and Direction:
Indika Ferdinando
A Theatre Plus production.
Colombo Colombo
will be staged at 7 pm on August 8 and 9 at the Lionel Wendt Theatre.
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