From the pitch to the reel
Cricketers from across the world gather for
In countries like India and Sri Lanka, cricket is more than just a
game. It is a craze, a passion and an obsession which had taken over
Harman Baweja and Brett Lee
In this light of interest it is no surprise that director Ajit Pal
had based his directorial feature debut on the game of the era in his
home country. More interestingly, the movie which is said to be the
first film made entirely on a cricket story will feature many stalwarts
in the field.
Sanath Jayasuriya, Muttiah Muralitharan, Kumar Sangakkara, Chaminda
Vaas, Dilhara Fernando, Fareez Maharoof and Ajantha Mendis make up the
cricketers starring from the Sri Lankan squad while Brett Lee, Mike
Hussey, Simon Katich, Stuart Clarke, Brad Hogg, Brad Haddin, Allan
Border, Michael Slater, Dean Jones, Shoaib Mallik, Sohail Tanvir, Rao
Iftekhar, Kamran Akmal, Waqar Yoonus, Graeme Smith, Andre Nel, A. Morkel,
Pat Symcox, Harbhajan Singh, Dinesh Karthik, P.R. Singh, Praveen Kumar,
Yusuf Pathan, Ashish Nehra, Ramesh Powar, Novjot Singh Siddhu, Maninder
Singh, Atul Wassan, Martin Crowe and others make their appearance on the
internationally famous cricketers list. Among them Australian cricketer
Brett Lee plays a more prominent role while a playback song sung by Lee
adds more colour and depth to the creation.
Upcoming actor from the Bollywood scene, Harman Baweja, with his
athletic physique and sportsman charisma, had landed the lead role of
Vijay Shekhawat while the petite Amrita Rao will dazzle the screen as
Nandini. Anupam Kher and Gulshan Grover make up the other key players in
‘Victory’ while Baweja’s ex-girlfriend, Priyanka Chopra, makes a special
“I have a lot of hopes pinned on ‘Victory’. It’s been a tough film to
shoot. A lot of cricket training, lots of gruelling outdoor went into
it. It was very detailed training and demanded about four hours of
training every day. It’s taken its toll on my health,” Baweja expressed
on his second movie following his debut ‘Love Story 2050’.
Harman and Amrita
“I hope I get my due. My cricket coach Pravin Amre says if I had come
to him some years earlier I could’ve played for the Ranji trophy. I want
to pursue cricket beyond ‘Victory’,” he added.
The movie was shot across eight cricketing nations round the globe
including India, Australia, Sri Lanka and South Africa and at 18 major
stadiums. It was shot at the Tamil Union Ground a.k.a.
The Oval, Borella, Indoor Nets, Battaramulla, Trans Asia Hotel,
Cinnamon Grand Hotel and a few other locations in the city. Leading
international film production company Film Location Services led by
filmmaker and producer Chandran Rutnam handled the production and
coordination in Sri Lanka.
‘Victory’ relates the story of a struggling cricketer who beats all
odds to make an impossible dream a reality. It centres on a father whose
dream is to see his son rising from the rustic background of Rajasthan
and venturing on to become a world famous cricketer.
“It’s a film on the life of any modern day cricketer who plays for
the national side. It’s a story of a small town boy from Jaisalmer who
has nurtured the dream of playing for India and how he finally succeeds
in making it to the Indian team,” the director commented on his theme
for his debut movie.
‘Victory’ made its premier around the globe and Sri Lanka on January
30. The much anticipated movie is screening at Majestic cinema and
‘Leader’ makes appearance
Ranjan Ramanayake and Adeen Khan
Popular actor Ranjan Ramanayake who made hit movies like ‘Parliament
Jokes’ and ‘One Shot One’ has released his latest creation ‘Leader’.
The controversial movie which embodies the theme of a struggle
against social conquers stars Indian actress Adeen Khan as the female
Robin Fernando, Anusha Damayanthi, Lala Kumara, Ronnie Leitch,
Ariyasena Gamage, Chandrasiri Kodituwakku, Janesh Silva, Chathura Perera,
Saman Almeida, Kingsley Loose, Anton Jude, D.B, Gangodathanna, Dasun
Madusanka and others feature in the movie produced by Beven Perera and
The cameramen are K.D. Dayananda and Santhosh from India. Ajith
Ramanayake and Ayesha were the editors while Teddy Widyalankara and
Super Subramaniam from India were the fight directors. The art directors
are Lal Gurubavila and Lionel Watthalage. Aruna Priyashantha
Kaluwarachchi and M. Gandhi handled the sound effects, the music is by
Suneth Kalum and Sunil Perera, Ranjan Ramanayake, Havi Susan, K. Sujeewa
and Gamunu Wijesuriya provided background vocals.
Around 40 copies of the film are shown at theatres island wide making
‘Leader’ the film that had been screened with the most number of copies
in Sinhala cinema history.
New GM at NFC
Dharmananda Wijesinghe who had gained recognition for his skills for
organising events and is well versed in the field of administration is
elected as General Manager for the National Film Corporation.
Though he is occupied as an engineer he had studied a variety of
subjects including cinema and journalism. He is a postgraduate diploma
holder and a graduate of the University of Sri Jayawardanapura.
His career as a visiting lecturer in journalism and new technological
methods spans more than a decade and he had conducted lectures for the
army on media coordination under the Media Centre for National Security.
He is also one of the pioneering web designers in the country.
Billu Barber on Feb 13
Shahrukh Khan in Billu Barber
For all those who have been waiting for this one, Eros International
announces the worldwide release of Billu Barber on February 13.
Shahrukh Khan’s Billu Barber is a slice of life, a feel-good musical
with elements of romance, comedy and drama. Starring Irrfan Khan, Lara
Dutta and Shah Rukh Khan, this is the first time that SRK and renowned
director Priyadarshan come together.
Billu Barber is a story of a simple ordinary man who led an
extraordinary life. Bilas Rao Pardesi was living in his village with his
wife Bindiya and two great kids. Life was bitter-sweet...we can say more
sweet than bitter.
One day a superstar came into their lives and everything changed.
Life changed, people changed, friends changed, the village changed but
one man did not...Billu Barber.
Thamil Films that knock on Festival Doors
Don’t be surprised! Kodambakkam (in Chennai) Thamil films too can
knock at the doors of the International Film Festivals too! Yes, I saw a
few films that entered the two International Film Festivals held at the
tail end of last year in India. Some of them are yet to be shown in
Mudhal Mudhal Mudhal Varai.
If you are interested here is a critical briefing on one of them.
Let’s take a film titled Mudhal Mudhal Mudhal Varai. What it
literarily means is “from the beginning to beginning to beginning” It’s
funny, isn’t it? What the director (Krishnan Seshadri Gomatam) wanted to
make us understand is that there were several turning points for the
first time in the development of Thamil Cinema. In other words the film
tries to be spoofy in characterizing the several ways a film is made in
The direction is in some respects innovative, the editing (B.Lenin,
an excellent editor who is one of sons of a famous Thamil film director
of yesteryears - Beem Singh) creative and camera (Fowzia Fathima) is
near ultra-modern technical virtuosity. The kind of music (Aslam
Mustafa) fusion electronically recreated. So, I like it. The players all
new to me: C P Satyajit, Anuja Iyer, Charan and Keevna. They may be from
the Film schools somewhere. Realistic, casual and funny - that’s my
Does the film have a storyline? I don’t think so - strictly. But the
director who also writes the screenplay has something to say. My summary
of what he says goes something like this:
Huggy air passionate about filmmaking. He has a sense of humour. What
he does is to record people and him too in his digital camera. Collating
those images surprisingly turn out to be a plausible film script.
His girl friend Sindhu suffers from a terminal illness. She will
marry hi only when he completes his first film. He searches desperately
for a producer, while he works as an ad filmmaker. One of his team-mates
suffers from Obsessive Compulsive Disorder (OCD). He plays the key role
as to sacrifice his life for a suitable ending in the film.
Although I didn’t understand the end in the film, the director
“Amidst the parallel tracks of Huggy’s life, he encounters a plethora
of characters as his passion; he records their experiences -only to
realize that the unforgettable moments have become his first feature
The director-Krishnan Seshadri Gomatam- had worked as an associate of
Mani Ratnam (off beat Thamil and Hindi filmmaker) and P C Sreeram (ace
cinematographer) and Santosh Sivan (another avant-garde filmmaker in
Thamil and Malayalam). For me to understand the film better (I am also
interested in Hindu Philosophy) I listened to Gomatam’s reading of the
“This film is a cinematic metaphor for the ancient Hindu belief that
Life and Death is a continuum. This is the journey of an obsessive
filmmaker in contemporary India who’s desperate to make his first
feature film. The commercial Thamil film world cannot understand the
Fellinsque trauma of Huggy who has nothing earth shattering to say
except that he simply loves cinema!”
“Like a bright collage, the film puts together a series of sensuous
moments through Huggy’s eyes. We discover a variety of experiences- his,
his girl friend’s, others. The film captures an India that
simultaneously lives in different time zones cultures, age groups,
At another level it explores Life from Birth to Death. The film and
the filmmaker mirror each other, making the narration self-reflective.
It is essentially a spiritual inquiry into the raison d’etre of life and
death. Does one have to die in order to prove that he actually lives, or
does one live in order to die? Queries that are art of eternal quest are
integral to First Time”.
As the director put it, “Does the film end or does it come into
existence only when it ends?”
It is unlikely that this film will be shown here as it may not run in
the commercial circuits. But it is an interesting film for the