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Reflections in colour

Fascinated by water - Jayani Pinnawela pays tribute to its splendour

‘Water, water everywhere but not a drop to drink’ so wrote a famous writer but to Jayani Pinnawela, water is her redeemer. Lakes, rivers, streams, brooks, and water-ways simply beckon her.

She pays homage to man’s essential survivor that is water. This was evident at her solo exhibition, Reflections in colour held at the Lionel Wendt Art Gallery over the weekend. As I paused by each and every exhibit, I could see so much water she so lovingly has captured in to her canvas. Even the Solitary Rose had cascades of dew drops streaming down her petals.


Houses by the stream - Italian impression, Oil on canvas

Jayani is an unruffled, comely dignified lady and these aspects of her character can be traced in many of her figures. A retired administrative officer and a senior diplomat whose strain of work, never sat on her. She still looks beautiful and strictly composed and chose art to spend the rest of her life with among other interests. This is her second exhibition that I have seen and she keeps improving all the time.

Most of her scenes are non turbulent and panoramic and the eye effortlessly swaps across them, easy to focus on the main structure of the painting.

The woodlands force the viewer to pause and gaze to comprehend the subject. She is clever in that she is able to hold the interest of the critic and absorb not only the painting itself but the mental angle with which she paints and there are many like her in our country. At the same moment, the elements of the painting are recognisably local and some Italian landscapes.

She is highly influenced by Italian painting but the painters whom she never tries to adopt. Jayani was the Ambassador to Rome in her diplomatic career and among what interested her in this country was their scenic beauty that she stored in her mind for future use. So, one find a mixture of Italian art among Jayani’s collection.


The lake greets the morning sun, Oil on canvas

I wonder whether she had seen Lake Nemi in Italy (Campagna) or even the masterpiece done on it by John Robert Cozens. It would have interested her because of the beauty of water that makes up Lake Nemi which Cozens painted in 1788.

She uses green, blue and grey for the swirling waters but at times a dash of other colours for highlight. She favours observations rather than narration but can be imaginative too.

Jayani has still a long way to go to reach the top but what she does today is an indication what will be tomorrow. Jayani confines herself to what she like most and from apart of water, there are trees and burgeon, village life, simple people and above all, she is an excellent painter of birds almost with photographic accuracy.

Landscapes, she does on canvas with colour texture and pattern to combine and create a vivid representation of many scenes she has seen. Landscapes are no more classical and they do not recede which makes modern painters like Jayani and others elsewhere around the world, find easy to paint with no restriction placed on them.

Thus came naturalism that allowed them the freedom to wade through subtle colour to glorious blaze. Jayani had 66 exhibits and they all reflected the ardour she has for Sri Lanka and Italy. Among them.


The mysterious woods. Oil on canvas by Jayani Pinnawela.

Autumn Glow Unwittingly Jayani has created a 3-D effect on this work. Rising mountains in the background and cottages stop the banks with the water twisting and turning away as it glides down. Subtle colours giving a magical touch.

Deer at peace away from the atrocities of man, the deer graze reminding me of Bach’s magnificent score ‘The sheep may gently grace’.

Italy-An-Impression Jayani’s adoration for this country in which she served as ambassador, the country that beckoned her to pick up her brush and canvas. The ardour with which she paints excerpt from Italy is a tribute from one country to another. In this painting, the unmistakable Italian buildings merge with one another.

Rough Sea The turbulent waves crashing with each other which Jayani has painted in a series of subtle colour instead of a dark and angry sea. A boat tossed about make it eery for man to cross the water.

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