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Film review

Sandalutalen Eha (Beyond the Balcony) - a film sans stars

Gamini Pushpakumara has made a very honest attempt in making a film with minimum of resources, limited opportunities and most extraordinary of all, is without running after prominent stars. None of the reputed silver screen stars shine in this film. But Asela Jayakody who plays the role of the evil police officer needs a full hearty commend. His performance is worth studying in depth. But are there black characters in the Police Force?

What is seen ‘Beyond the Balcony’ could be an illusion of the reality. There is poverty and injustice going together.

The educated youth are unemployed or employed in unsuitable jobs. There is economic difficulty. Bribery and corruption are rampant, Gamini Pushpakumara wants to clean the corrupt society and inspire thoughts that favour justice and fair play in a democratic, social environment.

But there are ideological, as well as strategic, bottle necks and barriers. His vision is extraordinary and distinctive, but lacks power. Although the educated youth in this film turns out to be a violent character, mainly because of the corrupt and degrading actions of the police, he alone is unable to clean the society without organised encouraging support from his peers and the community. So, he is powerless and the evil practices continue to reign without any curtailment.

There are two issues that confuse the audience. Firstly, in the early part of this creation, the audience would find out of place and context. It is only after a long time and a long sequence of slurring, soppy and stray shots and scenes, that the audience would realise what’s going on behind the silver screen. Was it a new strategy to make the audience experience confusion?

The other point is, about the time period that envelopes the incidents in this film. Is it before 1977 or after 1987? The watchful viewer would find it difficult to place it during the period of youth unrest as mobile phones were not in use during that time. But we may excuse Gamini Pushpakumara, as he has been strictly adhering to a weak script in creating this film.

We live in a world of mixed characters. There are good as well as ill features in every human being. But in this film, black and white seem to be quite distinct and quite separate.

The police officer is just a bad guy. There is not a shred of a good human feeling at all. But, the cameraman has to be commended for making this character quite strong and outstanding.

Despite these weak areas, ‘Sandulutalen Eha’ is appreciable for its simple attire and the creator’s keen awareness of youth unrest.

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