Objectivity of journalists and psychological factors in war coverage
Dr. Ruwantissa ABEYRATNE
This article poses the question whether, in the face of war,
journalists covering hot spots could remain objective without being
personally involved in the stories they cover. It also addresses the
issue as to what effect such coverage would have on the journalist.
Should the world insist that a journalist remain objective at all
costs? David Leon of the BBC has recently expressed the view that
encouraging reporters to become emotionally involved in the stories they
cover is a worrying new trend.
Covering Afghan and Iraqi wars has become hazardous for
journalists. |
Objectivity is the hallmark of journalism and is not relegated solely
to the coverage of war. Modern complexity in political practice and
social exigency seemingly demand that journalism become a more
sensationalized and flamboyant profession.
As the outgoing British Prime Minister Tony Blair is reported to have
said in his speech on 12 June 2007, there are increasing commercial,
technological and political pressures that make reflective and original
journalism harder.
He described it as a problem of a lack of editorial diversity. Mr.
Blair went on to say that in the newsroom context this can be reinforced
by media cultures which tend to reward efficiency and conformity rather
than innovation and reflection, and that in the wider political culture
there is a similar unthinking cosiness.
The same view has been expressed by Richard Tait, one of the twelve
BBC trustees, when he said that new technologies and changes in society
have brought to bear a change of direction in the profession of
journalism which veers from the traditional divide of left versus right.
Tait offered the eminently sensible proposition that, in order to
safeguard impartiality of the profession in the 21st century, a newsroom
must endeavour to provide the full breadth of views in all their
complexities so that the reader or audience is offered a complete
picture of the situation and they can make up their own minds.
This trend of personalising the journalistic profession may have its
own dimension of inevitability in that journalists, being human, could
always be emotionally affected by the stories they cover.
War journalists, who are juggernauts of courage in the public’s
consciousness as they appear calm against a backdrop of carnage and
terror, are often depleted and broken when the emotionality and
physicality associated with covering a war zone leaves them drained.
Therefore it might not be surprising that battle jacketed and
helmeted reporters strutting around tanks and buildings billowing smoke
could well be crouching in their beds at night with their own
nightmares.
However, in the public’s eye, the journalist is immune from injury,
typifying the comment of the fictional character Captain Nemo, Commander
of the Nautilus in Jules Verne’s Mysterious Island when he met a
journalist on his ship: “I know you...you specialize in war news. You
supply the ink and the soldiers supply the blood”.
Objectivity
Objectivity in journalism personifies a neutral point of view and
requires that one does not personally take a point of view. Balanced
reporting should represent all sides of the story without personal
observation or conjecture.
By contrast, it is possible to be philosophically objective in
presenting or describing a controversial or novel point of view.
Journalistic professionalism essentially calls for objectivity
characterized by fairness, disinterestedness, factuality, and
non-partisanship.
Objectivity in reportage is also associated with news gathering and
reporting that emphasizes eyewitness accounts of events, corroboration
of facts with multiple sources and balance.
It also attributes an institutional role for journalists as a fourth
estate - a body that stays independent from government and large
interest groups.
The traditional bottom line has been that journalists have to be
neutral and just report the news, which helps the newspaper or station
they represent in attracting business by way of advertisements on the
basis that the journalism offered did not take sides and therefore did
not harm the interests of the advertisers.
However, an entirely different breed of journalist also exists.
Called advocacy journalists, their reportage is fact-based but support a
specific point of view on an issue.
Advocacy journalists might be expected to focus on stories dealing
with corporate business practices, government policies, political
corruption, and social issues.
Advocacy journalists do not only report the corporate and civilian
world but also report on war and give their own points of view. This
brand of journalism is mostly seen under editorials of newspapers.
One of the most important features of virtuous journalism is
objectivity which is frequently held to be essential to proper
journalism. A credible journalist of integrity will always be objective
and present facts as they stand, a quality which has had disastrous
consequences.
In the final analysis, the real worth of a journalists is in the
manner in which a report is published. Although it is objectivity that
is most critical to a journalist, objectivity and the journalist’s own
perception of it may determine his own fate at the hands of the
profession and its exigencies.
While sociologist Michael Schudson argues that “the belief in
objectivity is a faith in ‘facts,’ a distrust in ‘values,’ and a
commitment to their segregation.”, an objective story is typically
considered to be one that steers a middle path between two poles of
political rhetoric.
The tenets of objectivity are violated to the degree to which the
story appears to favour one pole over the other.
According to some, it refers to the prevailing ideology of news
gathering and reporting that emphasises eyewitness accounts of events,
corroboration of facts with multiple sources and “balance”.
It also implies an institutional role for journalists as a fourth
estate, a body that exists apart from government and large interest
groups.
Others hold it should mean reporting things without bias as if one
just came to Earth from another planet and had no preconceived opinions
about our behaviour or ways. This form of journalism is rarely
practised, although some argue it would lead to radical changes in
reporting.
Still others hold it to mean that journalists should have something
like a neutral point of view, not taking a stand on any issues on which
there is some disagreement.
Instead, journalists are simply to report what “both sides” of an
issue tell them. Some even extend this standard to the journalist’s
personal life, prohibiting them from getting involved in political
activities, which necessarily require taking a stand.
This last approach, while giving a balanced view of a set of facts,
detracts from investigative journalism which often assists the
journalist in proving a fact to his readership.
However, journalism in any form is a sine qua non for a discerning
society. In such a context, any attempt at eliminating journalists who
threaten the ill founded beliefs and interests of others is a crime
against humanity.
Journalism is an established discipline of collecting, verifying,
analyzing and presenting information gathered regarding current events
including trends, issues and people.
Unlike many other professions, journalism has the most stringent of
ethics and standards which include a professional “code of ethics” or
the “canons of journalism.”
The basic codes and canons commonly appear in statements drafted by
both professional journalism associations and individual print,
broadcast and online individual organizations.
While various existing codes have some differences, most share common
elements including the principles of truthfulness, accuracy,
objectivity, impartiality, fairness and public accountability as these
apply to the acquisition of newsworthy information and its subsequent
reportage to the public.
Like many broader ethical systems, journalism ethics include the
principle of “limitation of harm.” This often involves the withholding
of certain details from reports such as the names of minor children,
crime victims’ names or information not materially related to particular
news reports release of which might, for example, harm them.
Psychological Factors
Not all war journalists suffer trauma. However, many of them do as
they are only human. Anthony Feinstein, in his seminal book Journalists
Under Fire - The Psychological Hazards of Covering War, records
nightmares, loss of pleasure, grief and hallucinations as possible
effects of the experience of trauma by the war journalist and includes
post traumatic stress disorder.
Post-traumatic stress disorder (PTSD) is the term used for a severe
and ongoing emotional reaction to an extreme trauma of a psychological
nature.
It may involve someone’s actual death (including the death of a
colleague) or a threat to a person’s life that is perceived by the
person who develops PTSD as a result.
PTSD may also result from the perception of any serious physical
injury, or threat to physical and/or psychological integrity, to a
degree that usual psychological defences cannot cope with.
PTSD is a relatively new phenomenon (earlier referred to by the
medical profession as “whiplash injuries) and is a legally cognizable
harm per se. PTSD excludes mental injury caused as a result of a
person’s death by natural causes (such as witnessing the death of a
family member under natural circumstances).
It includes mental injury or distress caused by witnessing sudden
events such as accidents, natural disasters and instances of armed
combat.
Typical symptoms of PTSD are recurrent and persistent experiencing of
an event in question; exclusion of the outside world when experiencing
such recurrences of events in one’s mind; avoidance of circumstances
needing change; and increased discombobulation and disturbance of mind,
resulting in such experiences as lack of sleep and temper tantrums.
It is only natural to conclude that trauma and war journalism
frequently go hand in hand when one looks at the figures.
For instance, more than 80 journalists have been killed in Iraq since
the commencement of the war in 2003 and more than 1,200 journalists have
been killed in the past 10 years of foreign reporting.
Journalists belong to a professional category that experiences
sustained and direct exposure to war and terror, making them prime
victims of stress and trauma.
Therefore, journalists, especially reporters who cover disaster, war
and terror are as vulnerable to stress and trauma as are other
professionals, from fire-fighters and disaster counsellors to combat
soldiers.
Reporters on foreign assignments are often required to work alone in
the field, with limited or no support. This could result in serious
elevation of stress levels, disorientation and debilitation.
Journalists in places of hardship have been known to abuse drugs or
alcohol and struggle in their marriages. There have been instances of
absolute emotional numbness, hyper arousal and other results culminating
in physical reactions such as uncontrolled vomiting and defecating.
The performance of journalists can be seriously affected by trauma,
bringing to bear the need to apply for sick leave and even terminate
their careers. Stephen J.A. Ward, in his book Global Journalism Ethics -
Trauma and Journalists, is of the view that news organizations have a
long-term interest in making sure that journalists are aware of trauma
and can access counselling.
Ward goes on to say that trauma program needs to be part of an
organization’s efforts to promote employee well-being and health in the
workplace and that newsrooms have an ethical obligation to establish
such programs, since it is they who send journalists into the field.
Hazardous
The above discussion leaves no room for doubt that war journalism is
a particularly hazardous profession. Yet, despite clear and unequivocal
scientific knowledge and conclusions on trauma and stress, major news
organizations became aware of the enormity of the problem and responded
with establishing trauma programs only recently, in the past few years.
There has been some slow progress in the face of denial, scepticism
and resistance among many journalists themselves and their editors.
It is somewhat regrettable that there are still only a few known
scientific studies which address the link between trauma and the
profession of journalism and too few trauma services for journalists.
Besides, there is no widespread culture among the profession itself
that recognizes the link, leaving things wide open for journalists to be
unprepared for the impact of stress.
Shaw offers the view that journalism is far behind other professions,
such as educational counselling and fire and police departments, in
recognizing trauma as a serious issue that brings out a compelling need
for attention.
He says that the myth still exists that journalists shouldn’t need
trauma programs because journalists are supposed to be “tough as nails”
and that when it comes to trauma, journalism sometimes appears to be one
of the last “macho” professions.
This myth has to be dispelled. |