Depicting the depths of inhumanity
Review: Sydney Knight
CINEMA: Thanks to the International Centre for Ethnic Studies
in Colombo that the film viewing fraternity in the city were able to see
Amu.
This film is by Shonali Bose (writer/director) who was a student in
Delhi during the post-Indira Gandhi assassination anti-Sikh riots. Bose
worked in the camps that emerged for relief and rehabilitation. In the
camps, she wrote the stories of those survivors.
Bose in the film tells us the story of Amu, whose father and brother
were victims of the massacre. Her mother commits suicide. Amu was thus
adopted by her mother's 'new found' friend in the camp. Her mother in a
note left for her 'new' mother does not want Amu to know any of the
facts.
In the film, Amu is known as Kaju, the name given by the one who
chose to adopt her. In and through the story we see her discovering her
roots in India, now on a holiday from the US.
The story shows the role played by the police and politicians. Thus
depicting that the massacre was organised and not spontaneous.
After 20 odd years the medium of the film is seeking justice. The
need to expose the perpetrators of this crime against humanity in the
name of Hinduism.
To a Sri Lankan audience, it was the repeat of July 1983 in its
entirety and totality. In an age when the audio-visual is a powerful
medium, we felt for the Sikhs. Thus for all victims in all ages in all
places.
This Indian film has won the Triple Award at the 2006 Sundance Film
Festival and was selected for the 2006 Berlin Festival and the Toronto
International Film Festival, 2005. It is a film that all of us in Mother
Lanka must see to feel the depth of inhumanity in massacring innocents
in the name of anything.
Well done, Shonali Bose. |